Last Update: 2017-10-14
- Music ownership: With the obvious exception of concert reviews, all music discussed in this blog has either been purchased as physical CD (the vast majority, actually), or purchased and downloaded from Apple’s iTunes store, from amazon.com, or (rarely) from magnatune.com, i.e., all music is legally purchased (hopefully with the artist getting a share of the purchasing price) — I would not even consider gray or black channels such as BitTorrent and the like, and I’m also not a friend of subscription models such as Spotify, as it does not suit my listening habits & needs.
- I may occasionally refer to YouTube videos as “external references” — assuming that such videos are either legal or would be taken down if challenged for legal concerns. It is entirely possible that there are links to YouTube videos in my blog that have been taken down since my posting; feedback about such dead links is welcome, of course. I am periodically checking my external links for their validity, but certain dead links may go unnoticed. I will remove dead or inappropriate links when notified.
- Concert reviews: I have been invited to write concert reviews for Bachtrack.com. These reviews are in German, the rights for these reviews remain with Bachtrack (small segments may be quoted with indication of the copyright). In cases where I write a separate blog post about such concerts (in English), these are not translations of the review for Bachtrack. I’m not earning money with this, but Bachtrack organizes the press tickets for such concerts.
- Music Scores: wherever possible, I use pocket scores to follow the music I’m listening to. In case I don’t already have a score, and particularly for smaller and older works, I use downloaded scores (PDF format) from IMSLP.org, provided downloading is free and legal in Europe. I have started adding information on printed scores that I used (with links towards amazon.com); I merely want to provide information on which score I used — I have not compared different scores, and so, such information cannot mean endorsement, except for stating that the score I used covered my needs as a listener (I’m not a musicologist!). As for the scores from the IMSLP project: note that those scores which are freely available are typically older editions that are no longer covered by copyright protection — those can definitely not serve the needs of a musicologist, or of a serious artist.
- Amazon links: Wherever possible, the “—Buy CD(s) from amazon—” links point to the exact CD discussed in the blog — with a few exceptions:
- Occasionally, the CD label shown in the linked page looks different, as I may have an older release of the same recording, or the label may have changed since I purchased the music. I stuck to this rule even in cases where a complete edition has become available (likely at a better price per CD), while I was discussing individual CDs (e.g., for some recordings of the Beethoven piano sonatas or string quartets).
- Conversely, in the case of the “Arthur Rubinstein Complete Album Collection” I’m referring to that collection (which is what I have), even though individual CDs may also be available fort some of the recordings.
- In some cases, a CD is no longer available, so I selected a (supposedly) equivalent recording from the amazon catalog without extra remarks.
- In rare cases, an individual recording may no longer be on the market, but it may now be available as part of a bigger collection — in this case, I marked the link accordingly.
Note: As the biggest share of the blog visitors reside in North America, the amazon links point to amazon.com, i.e., the U.S. branch.
- The UPC-A and EAN-13 bar code graphics are created using the free service from
- QR codes for URLs are included for iTunes, amazon.com or similar downloads where I can’t locate a valid UPC-A or EAN-13 bar code. Such QR codes are created using the open source QR code generator from the ZXing Project
- The “loupe” / magnifying glass image on the Search pages is based on a design by pngtree.com (free PNG downloads).