Klavierissimo Festival 2022: Lucas & Arthur Jussen — Duo Recital, Wetzikon ZH, 2022-02-26

Concert review, ★★★★½, Lucas & Arthur Jussen @ KZO, Wetzikon ZH, 2022-02-26 (Klavierissimo Festival 2022) — Mozart: Sonata for two pianos in D major, K.448; Schubert: Allegro for Piano, 4 Hands in A minor, D.947, “Lebensstürme”; Ravel: “La valse”, Poème choréographique, for 2 pianos, M.72a; Stravinsky: Le Sacre du Printemps, for 2 pianos
Blog post #607 — #rolfsmblog •

Bach: “Sei Solo” — Sonata No.2 in A minor for Violin Solo, BWV 1003

Media review — Bach: Sonata No.2 in A minor for Violin Solo, BWV 1003 — a comparison of 24 artists / 25 recordings, from historic to HIP: with Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2002), Tetzlaff (2005), Mullova (2008), Baráti (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Faust (2012), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #598 — #rolfsmblog •

Bach: “Sei Solo” — Partita No.1 in B minor for Violin Solo, BWV 1002

Media review — Bach: Partita No.1 in B minor for Violin Solo, BWV 1002 — a comparison of 24 artists / 25 recordings, from historic to HIP: with Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2001), Tetzlaff (2005), Mullova (2008), Baráti (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Faust (2012), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #589 — #rolfsmblog •

Bach: “Sei Solo” — Sonata No.1 in G minor for Violin Solo, BWV 1001

Media review — Bach: Sonata No.1 in G minor for Violin Solo, BWV 1001 — a comparison of 25 artists / 26 recordings, from historic to HIP: with Kreisler (1926), Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2002), Tetzlaff (2005), Mullova (2008), Baráti (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Faust (2012), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #584 — #rolfsmblog •

Bach: “Sei Solo”, Sonatas and Partitas for Violin Solo — Comparison Summary

Media review — Bach: The Sonatas and Partitas for Violin Solo (Sei Solo) BWV 1001-1006 — Comparison Summary, Artist and Media Information. 26 artists / 28 recordings, from historic to HIP: Kreisler (1926), Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2002), Tetzlaff (2005), Mullova (2008), Baráti (2009), Faust (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Faust (2012), Bohren (2017), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #585 — #rolfsmblog •

Anastasia Kobekina: Bach Cello Suites — Zurich, St.Peter, 2021-04-25

Concert review, ★★★★½, Anastasia Kobekina @ Kirche St.Peter, Zurich, 2021-04-25 — J.S. Bach: Cello Suites No.1 – 6, BWV 1007 – 1012; Vladimir Kobekin (*1947): Narrenschiff (The Ship of Fools); Jean-Sélim Abdelmoula (*1991): In memoriam; L. Boccherini (1743 – 1805) / Giovanni Sollima (*1962): Fandango
Blog post #575 — #rolfsmblog •