Bach: Suite No.2 for Cello Solo in D minor, BWV 1008

Media review — Bach: Suite No.2 for Cello Solo in D minor, BWV 1008. 24 artists / 26 complete recordings, from historic to modern to HIP: Casals (1936), Fournier (1961), Bylsma (1979), Rostropovich (1991), Bylsma (1992), ter Linden (1996), Paternoster (1998), Wispelwey (1998), Pandolfo (2000, viola da gamba), Isserlis (2005), Queyras (2007), Gaillard (2010), Wispelwey (2012), Enders (2012), Watkin (2013), Demenga (2014), Dumas (2016), Kashkashian (2017, viola), Malov (2018, violoncello da spalla), Bertrand (2019), Teichmanis (2019), Kloeckner (2020), Rignol (2020, viola da gamba), Philippe (2021), de Naverán (2021), Skalka (2020)
Blog post #659 — #rolfsmblog •

Lucile Boulanger — “Solo Bach – Abel” (Diary 2024-01-02)

Review (Listening Diary) — Lucile Boulanger performing Solo works for Viola da gamba: 11 Solos by Carl Friedrich Abel (1723 – 1787), as well as the artist’s own transcriptions of solo works by Johann Sebastian Bach (1685 – 1750)
Blog post #658 — #rolfsmblog •

Bach: The 6 Suites for Cello Solo — Comparison Summary

Media review — Bach: The 6 Suites for Cello Solo, BWV 1007 – 1012 — Comparison Summary, Artist and Media Information. 24 artists / 26 complete recordings, from historic to HIP: Casals (1936–1939), Fournier (1961), Bylsma (1979), Rostropovich (1991), Bylsma (1992), ter Linden (1996), Paternoster (1998), Wispelwey (1998), Pandolfo (2000, viola da gamba), Isserlis (2005), Queyras (2007), Gaillard (2010), Wispelwey (2012), Enders (2012/2013), Watkin (2013), Demenga (2014), Dumas (2016), Kashkashian (2017, viola), Malov (2018, violoncello da spalla), Bertrand (2019), Teichmanis (2019), Kloeckner (2020), Rignol (2020), Skalka (2020), Philippe (2021), de Naverán (2021)
Blog post #652 — #rolfsmblog •

Bach: Suite No.1 for Cello Solo in G major, BWV 1007

Media review — Bach: Suite No.1 for Cello Solo in G major, BWV 1007. 24 artists / 26 complete recordings, from historic to modern to HIP: Casals (1939), Fournier (1961), Bylsma (1979), Rostropovich (1991), Bylsma (1992), ter Linden (1996), Paternoster (1998), Wispelwey (1998), Pandolfo (2000, viola da gamba), Isserlis (2005), Queyras (2007), Gaillard (2010), Wispelwey (2012), Enders (2013), Watkin (2013), Demenga (2014), Dumas (2016), Kashkashian (2017, viola), Malov (2018, violoncello da spalla), Bertrand (2019), Teichmanis (2019), Kloeckner (2020), Rignol (2020, viola da gamba), Philippe (2021), de Naverán (2021), Skalka (2020)
Blog post #651 — #rolfsmblog •

Bach: The Sonatas for Harpsichord and Viola da gamba, BWV 1027 – 1029

Media Review — J.S. Bach: The Sonatas for Viola da gamba, BWV 1027 – 1029: Jordi Savall / Ton Koopman (1977), Anner Bylsma / Bob van Asperen (1990); Lucile Boulanger / Arnaud De Pasquale (2011); includes “collateral” reviews of works included with the aforementioned CDs, such as J.C.F. Bach’s Sonata in A major, J.S. Bach’s violin sonata BWV 1023, and the Toccata No.2 in C minor, BWV 911
Blog post #650 — #rolfsmblog •

Bach: Sonatas for Harpsichord and Violin BWV 1014 – 1019

Bach: Sonatas for Harpsichord (Cembalo concertato) and Violin, BWV 1014-1019 — Comparing recordings with Andrew Manze & Richard Egarr (1999), Rachel Podger & Trevor Pinnock (2000), Viktoria Mullova & Ottavio Dantone (2007), Isabelle Faust & Kristian Bezuidenhout (2016)