Bach: The Motets

Bach: The Motets — comparing recordings with the following artists: Bernius (2012), Christophers (1989), Gardiner (1980), Gardiner (2011), Harnoncourt (1980), Herreweghe (1985), Junghänel (1995), Katschner (2012)

Bach: Cantata BWV 36

Bach: Cantata BWV 36, “Schwingt freudig euch empor” — Comparing 2 recordings: Koopman/Amsterdam Baroque Orchestra & Choir (2002), Lutz/J.S.Bach-Stiftung St.Gallen (2007, DVD)

Bach: Cantata BWV 18

Bach: Cantata BWV 18, “Gleichwie der Regen und Schnee vom Himmel fällt” — Comparing 2 recordings: Koopman/Amsterdam Baroque Orchestra & Choir (1995), Lutz/J.S.Bach-Stiftung St.Gallen (2009, DVD)

Bach: Cantata BWV 140

Bach: Cantata BWV 140, “Wachet auf, ruft uns die Stimme” — Comparing 5 recordings: Leppard/English Chamber Orchestra, London Voices (1981), Harnoncourt/Concentus musicus (1984, partial), Gardiner/Monteverdi Choir/English Baroque Soloists (1992), Koopman/Amsterdam Baroque Orchestra & Choir (2006), Lutz/J.S.Bach-Stiftung St.Gallen (2008, DVD)

Organ Fascination

(…) once my record collection started featuring organ recordings — though organ recordings took a rather slow and non-systematic start. At least, the beginning was OK — for that time (1970), at least: a box with all of Handel’s organ concertos, played by the Collegium aureum and Rudolf Ewerhart on magnificent organs such as the famous Gabler organ in Weingarten, or the Riepp organs in Ottobeuren…