All just my personal opinion
Beethoven: Piano Sonata No.22 in F major, op.54 — comparing recordings with the following artists: Wilhelm Backhaus (1969), Paul Badura-Skoda (1969), Daniel Barenboim (1984), Ronald Brautigam (2007), Friedrich Gulda (1967), Maurizio Pollini (2003), Artur Schnabel (1935)
Beethoven: Piano Sonata No.15 in D major, op.28, “Pastoral” — comparing recordings with the following artists: Wilhelm Backhaus (1961), Paul Badura-Skoda (1969), Daniel Barenboim (1984), Ronald Brautigam (2005), Emil Gilels (1982), Friedrich Gulda (1967), Artur Schnabel (1935)
Comparing recordings with the following artists: Géza Anda, Camerata Academica (1962) / Vladimir Ashkenazy, Philharmonia Orchestra (1978) / Daniel Barenboim, English Chamber Orchestra (1971), Kristian Bezuidenhout, Petra Müllejans, Freiburger Barockorchester (2012)
Mozart: Piano Concerto No.17 in G major, K.453 — comparing recordings with the following artists: Géza Anda (1962), Vladimir Ashkenazy (1977), Daniel Barenboim (1968), Kristian Bezuidenhout/Petra Müllejans (2012), Arthur Rubinstein/Alfred Wallenstein (1962), Andreas Staier (1995)
A “statistical overview” over the recordings on the 142 CDs included with the box set “Arthur Rubinstein, The Complete Album Collection”
(…) Yulianna’s playing was excellent! She is very virtuosic and very expressive! Where the tempo permits, she is nearly as clear in the articulation as Steven Hough — but she is way more expressive; unlike Volodos, she follows the score; she is not overpowering the music like Volodos, but has more agility than her Russian colleague (and avoids his unnecessary additions, I should say), she is often almost as fast and eruptive as Cziffra in the virtuosic octave passages, but in general keeps her articulation under control…