All just my personal opinion
Prokofiev: Violin Concerto Nr.2 in G minor, op.63 — Kopatchinskaja; Stravinsky: Violin Concerto in D — Kopatchinskaja; Bartók: Violin Concerto No.1, Sz.36 / BB 48a & Violin Concerto No.2, Sz.112 / BB 117 — Faust vs. Kopatchinskaja; Eötvös: Violin Concerto “Seven” — Kopatchinskaja; Ligeti: Violin Concerto — Kopatchinskaja
Comparing recordings with the following artists: Géza Anda, Camerata Academica (1962) / Vladimir Ashkenazy, Philharmonia Orchestra (1978) / Daniel Barenboim, English Chamber Orchestra (1971), Kristian Bezuidenhout, Petra Müllejans, Freiburger Barockorchester (2012)
Rubinstein’s Recording Repertoire: Joseph Haydn, Andante con Variazioni in F minor, Hob.XVII:6 — Rubinstein, Buchbinder, Schornsheim, Staier;
Felix Mendelssohn, “Spinnerlied”
Mozart: Piano Concerto No.17 in G major, K.453 — comparing recordings with the following artists: Géza Anda (1962), Vladimir Ashkenazy (1977), Daniel Barenboim (1968), Kristian Bezuidenhout/Petra Müllejans (2012), Arthur Rubinstein/Alfred Wallenstein (1962), Andreas Staier (1995)
Mozart: Rondo in A for Piano & Orchestra, K.386 — Clara Haskil, Bernhard Paumgartner, Wiener Symphoniker / Vladimir Ashkenazy, István Kertesz, London Symphony Orchestra / Kristian Bezuidenhout, Petra Müllejans, Freiburger Barockorchester
Alkan: Études dans tous les tons mineurs op.39 — This includes “Symphony for solo piano” op.39/4-7, “Concerto for solo piano” op.39/8-10, and “Le festin d’Ésope” op.39/12 — interpretations by Jack Gibbons and Marc-André Hamelin; related works on the CDs (also by Alkan) are also discussed briefly, with a glimpse on other interpretations, such as by Yeol Eum Son, Vincenzo Maltempo, and Stephanie McCallum