Jakub Hrůša, Bamberg Symphony — Zurich, 2019-05-19
Blog post #494 — Concert review, ★★★★★, Jakub Hrůša / Bamberg Symphony @ Tonhalle Maag, Zurich, 2019-05-19 — Bedřich Smetana (1824 – 1884): Má Vlast, JB 1:112
#rolfsmblog
All just my personal opinion
Blog post #494 — Concert review, ★★★★★, Jakub Hrůša / Bamberg Symphony @ Tonhalle Maag, Zurich, 2019-05-19 — Bedřich Smetana (1824 – 1884): Má Vlast, JB 1:112
#rolfsmblog
Heitor Villa-Lobos in Rubinstein’s Recording Repertoire: “Alegría na horta” from the “Suíte floral” op.97; piano suite “A Prole do Bebê”
Rubinstein’s Recorded Spanish Solo Repertoire: Music by Isaac Albéniz (“Sevilla” from Suite española, op.47; “Cordoba” from Chants d’Espagne, op.232; “Evocación”, “Triana” and “Navarra” from Iberia), Enrique Granados (“Quejas, ó la maja y el ruiseñor” from Goyescas, op.11), and Manuel de Falla (mostly encores)
Rubinstein’s Solo Recording Repertoire: Mozart: Rondo in A minor, K.511 (in comparison with Walter Gieseking, Ronald Brautigam, and Kristian Bezuidenhout);
Rachmaninoff: Prélude in C♯ minor from “Morceaux de fantaisie” op.3;
Szymanowski: 5 Mazurkas from op.50
Rubinstein’s Recording Repertoire: Joseph Haydn, Andante con Variazioni in F minor, Hob.XVII:6 — Rubinstein, Buchbinder, Schornsheim, Staier;
Felix Mendelssohn, “Spinnerlied”
Mozart: Piano Concerto No.17 in G major, K.453 — comparing recordings with the following artists: Géza Anda (1962), Vladimir Ashkenazy (1977), Daniel Barenboim (1968), Kristian Bezuidenhout/Petra Müllejans (2012), Arthur Rubinstein/Alfred Wallenstein (1962), Andreas Staier (1995)