Claire Huangci, Howard Griffiths — Tonhalle Maag, Zurich, 2018-12-02

Concert review, Claire Huangci, Howard Griffiths / Camerata Schweiz @ Tonhalle Maag, Zurich, 2018-12-02, MS Charity Concert — Beethoven: Piano Concerto in D major, op.61a, after the Violin Concerto in D major, op.61; Haydn: Symphony No.104 in D major, Hob. I/104 (“London” / “Salomon”)

Pinchas Zukerman, Lahav Shani / Rotterdam Philharmonic — Zurich, 2018-10-25

Concert review, Pinchas Zukerman, Lahav Shani / Rotterdam Philharmonic — Zurich, 2018-10-25 — Bloch: “Hiver – Printemps”, deux poèmes pour orchestre; Bruch: Violin Concerto No.1 in G minor, op.26; Brahms: Symphony No.4 in E minor, op.98; pre-concert: Anton Mecht Spronk and Petya Mihneva playing the Cello Sonata in C major by Prokofiev

Renaud Capuçon, Jonathan Nott / OSR — Lucerne, 2018-08-19

Concert review, Renaud Capuçon, Jonathan Nott / Orchestre de la Suisse Romande @ Lucerne Festival, KKL, 2018-08-19 — Debussy: “Jeux”, Poème dansé, L.126; Sibelius: Violin Concerto in D minor, op.47; Strauss: Suite from the Ballet “Schlagobers”, op.70

Batiashvili, Pappano, COE — Tonhalle Maag, Zurich, 2018-05-23

Concert review, Lisa Batiashvili, Sir Antonio Pappano / Chamber Orchestra of Europe @ Tonhalle Maag, Zurich, 2018-05-23 — Ligeti: Concert Românesc (1951); Brahms: Violin Concerto in D major, op.77; Brahms: Serenade No.1 in D major for Grand Orchestra, op.11

Vilde Frang, Sakari Oramo, BBCSO — Zurich, 2018-03-24

Concert review, Vilde Frang, Sakari Oramo / BBC Symphony Orchestra @ Tonhalle Maag, Zurich, 2018-03-24 — Anna Clyne (*1980): “This Midnight Hour” (2015); Britten: Violin Concerto, op.15; Beethoven: Symphony No.6 in F major, op.68, “Pastorale”

Kanneh-Mason, Tjeknavorian, Sanderling / TOZ — Zurich, 2018-03-14

Concert review, Sheku Kanneh-Mason, Emmanuel Tjeknavorian, Michael Sanderling / Tonhalle Orchestra @ Tonhalle Maag, Zurich, 2018-03-14 — Dvořák: Carnival Overture, op.92; Shostakovich: Cello Concerto No.1 in E♭ major, op.107; Brahms: Violin Concerto in D major, op.77; includes a brief review of Sheku Kanneh-Mason’s debut CD