Bach: “Sei Solo” — Partita No.2 in D minor for Violin Solo, BWV 1004

Media review — Bach: Partita No.2 in D minor for Violin Solo, BWV 1004 — a comparison of 25 artists / 26 recordings, from historic to HIP: with Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2001), Tetzlaff (2005), Mullova (2008), Baráti (2009), Faust (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Bohren (2017), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #620 — #rolfsmblog •

Christian Tetzlaff, Gevorg Gharabekyan, Kammerorchester I TEMPI — Basel, 2022-06-18

Concert review, ★★★★, Christian Tetzlaff, Gevorg Gharabekyan, Kammerorchester I TEMPI — Stadtcasino Basel, 2022-06-18 — Mozart: Overture to “Die Zauberflöte”, K.620; Sibelius: Violin Concerto in D minor, op.47; Encore — Bach: III. Largo, from Sonata No.3 for Violin solo in C major, BWV 1005; Beethoven: Symphony No.3 in E♭ major, op.55, “Eroica”
Blog post #616 — #rolfsmblog •

Bach: “Sei Solo” — Partita No.1 in B minor for Violin Solo, BWV 1002

Media review — Bach: Partita No.1 in B minor for Violin Solo, BWV 1002 — a comparison of 24 artists / 25 recordings, from historic to HIP: with Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2001), Tetzlaff (2005), Mullova (2008), Baráti (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Faust (2012), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #589 — #rolfsmblog •

Bach: “Sei Solo” — Sonata No.1 in G minor for Violin Solo, BWV 1001

Media review — Bach: Sonata No.1 in G minor for Violin Solo, BWV 1001 — a comparison of 25 artists / 26 recordings, from historic to HIP: with Kreisler (1926), Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2002), Tetzlaff (2005), Mullova (2008), Baráti (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Faust (2012), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #584 — #rolfsmblog •

Bach: “Sei Solo”, Sonatas and Partitas for Violin Solo — Comparison Summary

Media review — Bach: The Sonatas and Partitas for Violin Solo (Sei Solo) BWV 1001-1006 — Comparison Summary, Artist and Media Information. 26 artists / 28 recordings, from historic to HIP: Kreisler (1926), Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2002), Tetzlaff (2005), Mullova (2008), Baráti (2009), Faust (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Faust (2012), Bohren (2017), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #585 — #rolfsmblog •

Tetzlaff, Norrington / ZKO — Tonhalle Zurich, 2017-02-28

Concert review: Christian Tetzlaff, Sir Roger Norrington & Zurich Chamber Orchestra (ZKO) @ Tonhalle Zurich, 2017-02-28 — Felix Mendelssohn Bartholdy: Violin Concerto in E minor, op.64; Ludwig van Beethoven: Symphony No.7 in A major, op.92