All just my personal opinion
Comparing recordings with the following artists: Casals/Horszowski (1939), Fournier/Schnabel (1948), Fournier/Gulda (1959), Fournier/Kempff (1965), Harrell/Ashkenazy (1987), Isserlis/Levin (2012), Maisky/Argerich (1991), Perényi/Schiff (2004),
Queyras/Melnikov (2013), Rostropovich/Richter (1962), Wispelwey/Komen (1991), Wispelwey/Lazić (2004)
Alexandra Oehler playing piano music by two (nearly) forgotten composers: sonatas by Ludwig van Beethoven’s pupil Ferdinand Ries (1784 – 1838), and compositions by pianist and Johannes Brahms’ friend Ignaz Brüll (1846 – 1907)
Review, Day 4 of the Festival Academy Budapest, Pesti Vigadó, Grand Hall, Budapest, 2017-06-13 — Kodály: Sonata for Cello and Piano, op.4 (Andreas Brantelid, Shai Wosner); Kodály: Duo for Violin and Cello, op.7 (Barnabás Kelemen, László Fenyő); Enescu: Octet, op.7 (Vilde Frang, Gábor Homoki, Aleksey Semenenko, Alexandre Dimcevski, Gareth Lubbe, Maxim Rysanov, Andreas Brantelid, Dóra Kokas)
Concert Review, piano recital Piotr Anderszewski @ Tonhalle Zurich, 2017-05-30 — Schumann: Variations in E♭ major, WoO 24, “Ghost Variations” — Mozart: Fantasia in C minor, K.475/Piano Sonata No.14 in C minor, K.457 — Leoš Janáček: On an Overgrown Path, Book II — Chopin: Three Mazurki, op.59; Polonaise No.7 in A♭ major “Polonaise-fantaisie”, op.61
Concert Review, Pierre-Laurent Aimard @ Tonhalle Zurich, 2017-05-23 — Franz Schubert (1797 – 1828): Piano Sonata No.18 in G major, D.894; György Kurtág (*1926): “Passio sine nomine” and other works; Ludwig van Beethoven (1770 – 1827): Piano Sonata No.23 in F minor, op.57, “Appassionata”
Concert review, piano recital Konstantin Scherbakov, Semper-Aula / ETH Zurich, 2017-04-11 — P.I. Tchaikovsky: 18 Morceaux, op.72 (Nos. 14 & 5); Tchaikovsky: Grande Sonate in G major, op.37; S.M. Lyapunov: Études dʹexécution transcendante, op.11 (Nos. 1, 8, 5, 6, 2, & 10)