Vibrato, or Not To Vibrate? A Reflection

Vibrato, or Not To Vibrate? Personal reflections about the use (or rather: the non-use) of vibrato, primarily from a listener’s perspective, in the context of “historically informed” performances. The listener’s (and performer’s) potential difficulties and advantages with either option. Also: touching on related issues, such as portamento, glissando

Mozart: Violin Sonatas

Comparing recordings with the following artists: Müllejans/Bezuidenhout (2008), Tetzlaff/Vogt (2011), Oistrakh/Badura-Skoda (1972), Grumiaux/Haskil (1956)