Gutman, Zander: Shostakovich, Dvořák, Bartók — Lucerne, 2015-06-29

Natalia Gutman played with rich rubato, exploring the depth, the melodic strength of Dvořák’s composition with her dense, soft and singing tone (…) often, in lyrical passages, the soloist appeared completely immersed into the music, listening and playing with closed eyes (…)
The fourth movement, Allegretto, “Intermezzo interrotto” is rhythmically intricate, playing with Bohemian folk melodies — in typical Bartók / Hungarian manner, the meter is changing almost from bar to bar, leaving western ears “hanging in mid-air”: the orchestra’s playing was very good and appeared almost effortless.

Haydn: Works for Cello & Orchestra

Haydn: Cello concertos No.1 C & No.2 D — Maisky (1986), Mørk/Brown (1992), Rostropovich/Brown (1975), Isserlis/Norrington (1996); Haydn: Sinfonia concertante in B♭ major, Hob.I/105 — Antal Doráti (1972), Dennis Russell Davies (2009), Sir Roger Norrington (1996)

Han-Na Chang & Finghin Collins — Wigmore Hall London, 2012-04-28

(…) stunned by Han-Na Chang’s performance of the Haydn C major concerto (…). That performance dates back some 7 years (2005) — but she had recorded both Haydn concertos already back in 1998, when she was 16; in that YouTube performance, it was amazing to see not only her enormous technical skills, but also her freedom of expression, and how much she has detached herself from technicalities, how much she is totally relaxed and appears to enjoy her own playing while visually communicating with the orchestra…