All just my personal opinion
Comparing recordings with the following artists: Casals/Schulhof (1930), Fournier/Schnabel (1947), Fournier/Gulda (1959), Fournier/Kempff (1965), Harrell/Ashkenazy (1987), Isserlis/Levin (2012), Maisky/Argerich (1993), Perényi/Schiff (2004),
Queyras/Melnikov (2013), Rostropovich/Richter (1961), Wispelwey/Komen (1991), Wispelwey/Lazić (2004)
Concert review: Steven Isserlis, Richard Egarr / ZKO at Tonhalle Zurich, 2016-02-02 — Haydn: Symphony No.68 in B♭ major, Cello concerto No.1 in C major; Boccherini: Cello concerto No.3 in G major; Mozart: Symphony No.17 in G major K.129
Rubinstein’s Recorded Spanish Solo Repertoire: Music by Isaac Albéniz (“Sevilla” from Suite española, op.47; “Cordoba” from Chants d’Espagne, op.232; “Evocación”, “Triana” and “Navarra” from Iberia), Enrique Granados (“Quejas, ó la maja y el ruiseñor” from Goyescas, op.11), and Manuel de Falla (mostly encores)
Haydn: Cello concertos No.1 C & No.2 D — Maisky (1986), Mørk/Brown (1992), Rostropovich/Brown (1975), Isserlis/Norrington (1996); Haydn: Sinfonia concertante in B♭ major, Hob.I/105 — Antal Doráti (1972), Dennis Russell Davies (2009), Sir Roger Norrington (1996)