All just my personal opinion
Concert review, Daniele Gatti / Mahler Chamber Orchestra @ KKL, Lucerne, 2018-01-23 — Schumann: Overture to “Genoveva”, op.81; Beethoven: Symphony No.4 in B♭ major, op.60; Schumann: Symphony No.3 in E♭ major, op.97, “Rhenish”
Comparing recordings with the following artists: Casals/Horszowski (1936), Fournier/Schnabel (1947), Fournier/Gulda (1959), Fournier/Kempff (1965), Harrell/Ashkenazy (1987), Isserlis/Levin (2012), Maisky/Argerich (1993), Perényi/Schiff (2004),
Queyras/Melnikov (2013), Rostropovich/Richter (1962), Wispelwey/Komen (1991), Wispelwey/Lazić (2004)
Comparing recordings of Beethoven’s Sonata for Piano and Horn or Cello in F major, op.17; artists: Anneke Scott / Kathryn Cok (natural horn / fortepiano, 2007) — Steven Isserlis / Robert Levin (cello / fortepiano, 2012) — Miklós Perényi / András Schiff (cello / piano, 2001/2002)
Beethoven: Cello Sonatas — Summary for comparisons of recordings, involving the following artists: Casals/Horszowski, Casals/Schulhof, Fournier/Schnabel, Fournier/Gulda, Fournier/Kempff, Harrell/Ashkenazy, Isserlis/Levin, Maisky/Argerich, Perényi/Schiff, Queyras/Melnikov, Rostropovich/Richter, Wispelwey/Komen, Wispelwey/Lazić
Comparing recordings with the following artists: Casals/Horszowski (1939), Fournier/Schnabel (1948), Fournier/Gulda (1959), Fournier/Kempff (1965), Harrell/Ashkenazy (1987), Isserlis/Levin (2012), Maisky/Argerich (1991), Perényi/Schiff (2004),
Queyras/Melnikov (2013), Rostropovich/Richter (1962), Wispelwey/Komen (1991), Wispelwey/Lazić (2004)
Concert review, Benjamin Nyffenegger, Olivera Sekulić-Barac, Orchestergesellschaft Zürich @ Tonhalle Zurich, 2017-06-25 — Works by P.I.Tchaikovsky: Polonaise from the Opera “Eugene Onegin”, op.24; Rococo Variations for Cello and Orchestra, op.33 (Fitzenhagen); Symphony No.5 in E minor, op.64