All just my personal opinion
Blog post #479 — Concert review, ★★★★½, Martin Fröst, Sakari Oramo, Royal Stockholm Philharmonic Orchestra @ KKL, Lucerne, 2019-03-22 (Migros Kulturprozent Classics) — Liebermann: “Furioso” for big orchestra (1947); Mozart: Clarinet Concerto in A major, K.622; Mahler: Symphony No.1 in D major, “The Titan”; pre-concert: Marie Lys, soprano & Céline Latour Monnier, piano — Lieder by Grieg, Mozart, Schumann
#rolfsmblog
Concert review, Pinchas Zukerman, Lahav Shani / Rotterdam Philharmonic — Zurich, 2018-10-25 — Bloch: “Hiver – Printemps”, deux poèmes pour orchestre; Bruch: Violin Concerto No.1 in G minor, op.26; Brahms: Symphony No.4 in E minor, op.98; pre-concert: Anton Mecht Spronk and Petya Mihneva playing the Cello Sonata in C major by Prokofiev
Review, concert of the Orpheum Foundation, Tonhalle Zurich, 2017-04-20: Vladimir Fedoseyev, Tchaikovsky Symphony Orchestra, works by P.I. Tchaikovsky: Francesca da Rimini, op.32; Violin Concerto in D major, op.35 (Jan Mráček); Piano Concerto No.1 in B♭ minor, op.23 (Mélodie Zhao)
Comparing recordings with the following artists: Casals/Horszowski (1939), Fournier/Schnabel (1948), Fournier/Gulda (1959), Fournier/Kempff (1965), Harrell/Ashkenazy (1987), Isserlis/Levin (2012), Maisky/Argerich (1991), Perényi/Schiff (2004),
Queyras/Melnikov (2013), Rostropovich/Richter (1962), Wispelwey/Komen (1991), Wispelwey/Lazić (2004)