All just my personal opinion
Bach, St.John Passion BWV 245, with the following artists: Harnoncourt / Equiluz (1965), Jochum / Haefliger (1967), Rotzsch / Schreier (1976), Koopman / de Mey (1993), Suzuki / Türk (1998), Gardiner / Padmore (2003), Layton / Bostridge (2012)
Bach: Cantata BWV 140, “Wachet auf, ruft uns die Stimme” — Comparing 5 recordings: Leppard/English Chamber Orchestra, London Voices (1981), Harnoncourt/Concentus musicus (1984, partial), Gardiner/Monteverdi Choir/English Baroque Soloists (1992), Koopman/Amsterdam Baroque Orchestra & Choir (2006), Lutz/J.S.Bach-Stiftung St.Gallen (2008, DVD)
Beethoven: 6 Bagatelles, op.126 — Ashkenazy (1984), Brautigam (2010), Brendel (1964 & 1985), Gould (1974), Schnabel (1937); Beethoven: 24 Variations on the Arietta “Venni Amore” by Vincenzo Righini, WoO 65 — Pletnev (1997), Brautigam (2012); Schubert: Symphony in B minor, D.759 (“Unfinished”) / Symphony in C major, D.944 (“Great C major”) — Furtwängler (1952), Harnoncourt (1992), Dausgaard (2006)
Concert review, ★★★½, Sol Gabetta, Sylvain Cambreling, Kammerorchester Basel @ Casino, Bern, 2020-01-22 — Stravinsky: Concerto in D for string orchestra (“Basle Concerto”); Rihm: Concerto in G (World Premiere); Mendelssohn: Symphony No.3 in A minor, op.56, “Scottish”
Blog post #535 — #rolfsmblog •
Concert review: Jan Willem de Vriend, Tonhalle Orchestra Zurich; Zurich, 2017-03-15 — Wolfgang Amadeus Mozart (1756 – 1791): Symphony No.39 in E♭ major, K.543; Symphony No.40 in G minor, K.550; Symphony No.41 in C major, K.551, “Jupiter”