All just my personal opinion
Beethoven: Sonata for Piano and Violin No.10 in G major, op.96, “The Cockcrow” — comparing 8 recordings: Capuçon/Braley (2009), Faust/Melnikov (2008), Grumiaux/Haskil (1957), Kremer/Argerich (1995), Menuhin/Kempff (1970), Oistrakh/Oborin (1962), Perlman/Ashkenazy (1975), Tur Bonet/Vişovan (2020)
Media review — Dmitri Shostakovich: Violin Sonata in G major, op.134, arranged for violin, percussion and string orchestra by Mikhail Tsinman and Andrey Pushkarev — Sebastian Bohren, Igor Karško, Camerata Zürich. Audio download, received for reviewing.
Blog post #574 — #rolfsmblog •
A short review with a brief comparison of several recordings of the six Sonatas for Solo Violin, op.27 by Eugène Ysaÿe (1858 – 1931), featuring recordings by Oscar Shumsky (1982), Frank Peter Zimmerman (1994), Thomas Zehetmair (2002), and Kristóf Baráti (2013), and a brief outlook to further recordings.
Listening Diary — violin sonatas by Prokofiev, Shostakovich, & Schnittke, played by the late Lydia Mordkovich (1944 – 2014). Cross-checking Shostakovich’s op.134 against Gringolts/Vonsattel, and Faust/Melnikov
Mozart: Violin Concerto No.5 in A, K.219 — comparing two non-HIP recordings with the following artists: Pinchas Zukerman / Saint Paul Chamber Orchestra (1982), Vadim Repin / Yehuhi Menuhin / Wiener Kammerorchester (1998)
Beethoven: Violin Concerto in D major, op.61 — comparing recordings with the following artists: Batiashvili (2007), Busch/Busch (1942), Faust/Abbado (2010), Francescatti/Walter (1961), Grumiaux/Galliera (1966), Heifetz/Munch (1955), Huberman/Szell (1934), Jansen/Järvi (2009), Kennedy (2007), Kopatchinskaja/Herreweghe (2009), Kreisler/Blech (1926), Kremer/Harnoncourt (1992), Menuhin/Furtwängler (1947), Milstein/Szell (1964), Mullova/Gardiner (2002), Oistrakh/Gauk (1952), Oistrakh/Cluytens (1959), Stern/Bernstein (1959), Szeryng/Schmidt-Isserstedt (1965), Suk/Konwitschny (1962), Tetzlaff/Zinman (2005), Zehetmair/Brüggen (1997)