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Bach: “Sei Solo” — Partita No.1 in B minor for Violin Solo, BWV 1002

Media review — Bach: Partita No.1 in B minor for Violin Solo, BWV 1002 — a comparison of 24 artists / 25 recordings, from historic to HIP: with Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2001), Tetzlaff (2005), Mullova (2008), Baráti (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Faust (2012), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #589 — #rolfsmblog •

Bach: “Sei Solo” — Sonata No.1 in G minor for Violin Solo, BWV 1001

Media review — Bach: Sonata No.1 in G minor for Violin Solo, BWV 1001 — a comparison of 25 artists / 26 recordings, from historic to HIP: with Kreisler (1926), Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2002), Tetzlaff (2005), Mullova (2008), Baráti (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Faust (2012), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #584 — #rolfsmblog •

Bach: “Sei Solo”, Sonatas and Partitas for Violin Solo — Comparison Summary

Media review — Bach: The Sonatas and Partitas for Violin Solo (Sei Solo) BWV 1001-1006 — Comparison Summary, Artist and Media Information. 26 artists / 28 recordings, from historic to HIP: Kreisler (1926), Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2002), Tetzlaff (2005), Mullova (2008), Baráti (2009), Faust (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Faust (2012), Bohren (2017), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #585 — #rolfsmblog •

Florian Helgath, Zürcher Sing-Akademie, Orchester vom See — Zürich, 2019-05-10

Blog post #492 — Concert review, ★★★½, Florian Helgath, Zürcher Sing-Akademie, Hannah Morrison, Ingeborg Danz, Fabio Trümpy, Tiago Oliveira, Krešimir Stražanac, Orchester vom See @ Kirche St.Jakob, Zurich, 2019-05-10 — Schubert: Mass No.6 in E♭ major, D.950; Fritz Stüssi (1874 – 1923): Oratorio “Vergehen und Auferstehen” (Transience and Resurrection)
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Ysaÿe: 6 Solo Sonatas op.27 (Diary 2017-12-29)

A short review with a brief comparison of several recordings of the six Sonatas for Solo Violin, op.27 by Eugène Ysaÿe (1858 – 1931), featuring recordings by Oscar Shumsky (1982), Frank Peter Zimmerman (1994), Thomas Zehetmair (2002), and Kristóf Baráti (2013), and a brief outlook to further recordings.

Frang, Pinnock, Kammerorchester Basel — Zürich, 2017-10-30

Concert review: Vilde Frang, Trevor Pinnock / Kammerorchester Basel @ Tonhalle Maag, Zurich, 2017-10-30 — Max Reger (1873 – 1916): Aria “O Mensch, bewein dein Sünde gross” for string orchestra, after J.S. Bach’s choral prelude, BWV 622; Ludwig van Beethoven (1770 – 1827): Violin Concerto in D major, op.61; Matthias Arter (*1964): Aquarell about J.S. Bach’s “Ricercar a 6”; Felix Mendelssohn Bartholdy (1809 – 1847): Symphony No.5 in D major/D minor, op.107, “Reformation”

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