All just my personal opinion
Blog post #487 — Concert review, ★★★★, Sebastian Bohren @ Reformed Church, Windisch AG, 2019-04-21 — Bach : Sonata No.1 for Violin solo in G minor, BWV 1001; Bach: Sonata No.2 for Violin solo in A minor, BWV 1003;
Ysaÿe: Sonata for Solo Violin in D minor, op.27/3, “Ballade”; Paganini: Capricci No.13 in B♭ major, “Le Rire du Diable” & No.24 in A minor (Theme and Variations)
#rolfsmblog
Concert review, Sebastian Bohren & José Gallardo @ Lukaskirche, Lucerne, 2018-09-13 — Stravinsky: Divertimento from “Le Baiser de la Fée”, for Violin and Piano; Beethoven: 12 Variations on Mozart’s aria “Se vuol ballare”, WoO 40; Bach: Chaconne from the Partita in D minor for Violin solo, BWV 1004; Strauss: Sonata for Violin and Piano in E♭ major, op.18
Duo recital with Sebastian Bohren (Violin) and Benjamin Engeli (Piano) — Johannes Brahms: Sonata for violin and piano in A major, op.100; Leos Janáček: Sonata for violin and piano; Richard Strauss: Sonata for violin and piano in E♭ major, op.18
Media review — Bach: Partita No.3 in E major for Violin Solo, BWV 1006 — a comparison of 25 artists / 26 recordings, from historic to HIP: with Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2001), Tetzlaff (2005), Mullova (2008), Baráti (2009), Faust (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Bohren (2017), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #637 — #rolfsmblog •
Concert review, ★★★½, Ning Feng, Xiaoming Wang, Nargiza Alimova @ Kulturhaus Helferei, Zurich, 2022-10-10 — Johannes Brahms: Violin Sonata No.3 in D minor, op.108; Richard Strauss: Violin Sonata in E♭ major, op.18; Pablo de Sarasate: “Navarra” for two violins and piano, op.33
Blog post #628— #rolfsmblog •
Media review — Bach: Sonata No.3 in C major for Violin Solo, BWV 1005 — a comparison of 25 artists / 26 recordings, from historic to HIP: with Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2002), Tetzlaff (2005), Mullova (2008), Baráti (2009), Faust (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Bohren (2017), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #625 — #rolfsmblog •