All just my personal opinion
Marc Bouchkov, Claire Huangci, Howard Griffiths, Kammerorchester Basel (Orpheum Foundation — recording session) @ Paul Sacher Saal, Don Bosco, Basel, 2021-03-29 — Mendelssohn Bartholdy: Double Concerto for Violin, Piano, and Strings in D minor, MWV O4 (1823)
Blog post #572 — #rolfsmblog •
Ivo Dudler, Howard Griffiths, Camerata Schweiz (Orpheum Foundation: “Next Generation Mozart Soloists”, recording session) @ Kirche Oberstrass, Zurich, 2021-03-19 — Mozart: Horn Concerto No.4 in E♭ major, K.495
Blog post #569 — #rolfsmblog •
Concert review: Giovanni Antonini / Tonhalle Orchestra, Zürcher Sing-Akademie (Florian Helgath), Sibylla Rubens, Olivia Vermeulen, Martin Mitterrutzner, Tobias Berndt @ Tonhalle Maag, Zurich, 2017-11-03 — Schubert: Symphony No.4 in C minor, D.417, “Tragic”; Mass No.5 in A♭ major, D.678, “Missa solemnis”
Concert review, Piano Recital Sir András Schiff @ Kirche St.Johann, Schaffhausen, 2017-09-19 — Bach: Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992; Beethoven: Piano Sonata No.26 in E♭ major, op.81a, “Les Adieux”; Bartók: Piano Sonata, Sz.80 / BB 88; Janáček: Piano Sonata 1 X 1905; Schubert: Piano Sonata No.19 in C minor, D.958
Concert review: private piano recital by Hando Nahkur, 2016-11-13 — John Adams (*1949): China Gates (1977); Ferruccio Busoni: 2 Transcriptions of Chorale-Preludes by Bach (BWV 639, BWV 659); Franz Liszt: Transcription of Schumann’s “Widmung”, S.566; Erkki-Sven Tüür (*1959): Piano Sonata (1985); Franz Liszt: “Bénédiction de Dieu dans la solitude”, S.173; Franz Liszt: Concert Paraphrase on “Rigoletto”, S.434
Opera review, 2016-06-25: Karlheinz Stockhausen, “Donnerstag” aus “Licht” (“Thursday” from the 7-part opera cycle “Light”) at the Theater Basel. Stage direction: Lydia Steier; musical direction: Titus Engel