All just my personal opinion
Bach: Sonatas for Harpsichord (Cembalo concertato) and Violin, BWV 1014-1019 — Comparing recordings with Andrew Manze & Richard Egarr (1999), Rachel Podger & Trevor Pinnock (2000), Viktoria Mullova & Ottavio Dantone (2007), Isabelle Faust & Kristian Bezuidenhout (2016)
Beethoven: Sonata for Piano and Violin No.9 in A major, op.47, “Kreutzer Sonata” — comparing 12 recordings: Busch/Serkin (1941), Capuçon/Braley (2009), Faust/Melnikov (2008), Grumiaux/Haskil (1957), Kremer/Argerich (1995), Menuhin/Kempff (1970), Mullova/Bezuidenhout (2009), Oistrakh/Oborin (1962), Perlman/Ashkenazy (1975), Perlman/Argerich (1998), Szeryng/Rubinstein (1958), Tur Bonet/Vişovan (2020)
Beethoven: Sonata for Piano and Violin No.10 in G major, op.96, “The Cockcrow” — comparing 8 recordings: Capuçon/Braley (2009), Faust/Melnikov (2008), Grumiaux/Haskil (1957), Kremer/Argerich (1995), Menuhin/Kempff (1970), Oistrakh/Oborin (1962), Perlman/Ashkenazy (1975), Tur Bonet/Vişovan (2020)
Review, piano recital Boris Berezovsky in Vevey, 2016-07-01 — L.v. Beethoven: Piano Sonata in C, op.53 “Waldstein”; Igor Stravinsky: Piano Sonata; Béla Bartók: Sonata, Sz.80 / BB 88; P.I. Tchaikovsky: Dumka op.59, 3 pieces from “The Seasons” op.37a; Igor Stravinsky: 3 mouvements de Pétrouchka
Concert review: Viviana Sofronitsky in a recital at ETH Zurich, 2016-05-17, playing on five replicas of historical pianos / fortepianos (after Stein, Walter, Graf, Pleyel, and Boisselot) by Paul McNulty, Divisov CZ — works by C.P.E. Bach, Mozart, Beethoven, Schubert, Chopin, Liszt
Comparing recordings with the following artists: Müllejans/Bezuidenhout (2008), Tetzlaff/Vogt (2011), Oistrakh/Badura-Skoda (1972), Grumiaux/Haskil (1956)