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Beethoven: Violin Sonata No.9 in A major, op.47, “Kreutzer”

Beethoven: Sonata for Piano and Violin No.9 in A major, op.47, “Kreutzer Sonata” — comparing 12 recordings: Busch/Serkin (1941), Capuçon/Braley (2009), Faust/Melnikov (2008), Grumiaux/Haskil (1957), Kremer/Argerich (1995), Menuhin/Kempff (1970), Mullova/Bezuidenhout (2009), Oistrakh/Oborin (1962), Perlman/Ashkenazy (1975), Perlman/Argerich (1998), Szeryng/Rubinstein (1958), Tur Bonet/Vişovan (2020)

Beethoven: Violin Sonata No.10 in G major, op.96, “The Cockcrow”

Beethoven: Sonata for Piano and Violin No.10 in G major, op.96, “The Cockcrow” — comparing 8 recordings: Capuçon/Braley (2009), Faust/Melnikov (2008), Grumiaux/Haskil (1957), Kremer/Argerich (1995), Menuhin/Kempff (1970), Oistrakh/Oborin (1962), Perlman/Ashkenazy (1975), Tur Bonet/Vişovan (2020)

CD — Ensemble Resonanz: Bryce Dessner, «Tenebre»

Media Review (★★★★): Bryce Dessner, Album “Tenebre” — Ensemble Resonanz, Hamburg. Contents: Aheym (2009), Tenebre (2010), Skrik Trio (2017), Lachrymae (2012)
Blog post #533 — #rolfsmblog •

Frang, Pinnock, Kammerorchester Basel — Zürich, 2017-10-30

Concert review: Vilde Frang, Trevor Pinnock / Kammerorchester Basel @ Tonhalle Maag, Zurich, 2017-10-30 — Max Reger (1873 – 1916): Aria “O Mensch, bewein dein Sünde gross” for string orchestra, after J.S. Bach’s choral prelude, BWV 622; Ludwig van Beethoven (1770 – 1827): Violin Concerto in D major, op.61; Matthias Arter (*1964): Aquarell about J.S. Bach’s “Ricercar a 6”; Felix Mendelssohn Bartholdy (1809 – 1847): Symphony No.5 in D major/D minor, op.107, “Reformation”

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