Liszt: Etudes d’exécution transcendente, S.139
Liszt, Etudes d’exécution transcendente: comparing recordings with the following artists: György Cziffra (1958), Claudio Arrau (1977), Miroslav Kultyshev (2007)
All just my personal opinion
Liszt, Etudes d’exécution transcendente: comparing recordings with the following artists: György Cziffra (1958), Claudio Arrau (1977), Miroslav Kultyshev (2007)
Beethoven, 12 Variations on “Das Waldmädchen”, WoO 71 — comparing recordings with the following artists: Emil Gilels (1968), Vladimir Ashkenazy (2006), Olli Mustonen (1993), Ronald Brautigam (2010)
Beethoven: Violin Sonatas — Summary for comparisons of recordings, involving the artists Busch/Serkin, Capuçon/Braley, Faust/Melnikov, Grumiaux/Haskil, Kremer/Argerich, Menuhin/Kempff, Mullova/Bezuidenhout, Oistrakh/Oborin, Perlman/Argerich, Perlman/Ashkenazy, Szeryng/Rubinstein
Beethoven: Sonata for Piano and Violin No.8 in G major op.30/3 — comparing 8 recordings: Capuçon/Braley (2009), Faust/Melnikov (2008), Grumiaux/Haskil (1957), Kremer/Argerich (1994), Menuhin/Kempff (1970), Oistrakh/Oborin (1962), Perlman/Ashkenazy (1975), Szeryng/Rubinstein (1961)
Beethoven: Sonata for Piano and Violin No.7 in C minor op.30/2 — comparing 7 recordings: Capuçon/Braley (2009), Faust/Melnikov (2008), Grumiaux/Haskil (1956), Kremer/Argerich (1994), Menuhin/Kempff (1970), Oistrakh/Oborin (1962), Perlman/Ashkenazy (1975)
Beethoven: Sonata for Piano and Violin No.6 in A major op.30/1 — comparing 7 recordings: Capuçon/Braley (2009), Faust/Melnikov (2008), Grumiaux/Haskil (1956), Kremer/Argerich (1994), Menuhin/Kempff (1970), Oistrakh/Oborin (1962), Perlman/Ashkenazy (1975)