Search Results for: _review_post "Nikolaus Harnoncourt"

Bach: The 6 Suites for Cello Solo — Comparison Summary

Media review — Bach: The 6 Suites for Cello Solo, BWV 1007 – 1012 — Comparison Summary, Artist and Media Information. 24 artists / 26 complete recordings, from historic to HIP: Casals (1936–1939), Fournier (1961), Bylsma (1979), Rostropovich (1991), Bylsma (1992), ter Linden (1996), Paternoster (1998), Wispelwey (1998), Pandolfo (2000, viola da gamba), Isserlis (2005), Queyras (2007), Gaillard (2010), Wispelwey (2012), Enders (2012/2013), Watkin (2013), Demenga (2014), Dumas (2016), Kashkashian (2017, viola), Malov (2018, violoncello da spalla), Bertrand (2019), Teichmanis (2019), Kloeckner (2020), Rignol (2020), Skalka (2020), Philippe (2021), de Naverán (2021)
Blog post #652 — #rolfsmblog •

Bach: “Sei Solo” — Partita No.3 in E major for Violin Solo, BWV 1006

Media review — Bach: Partita No.3 in E major for Violin Solo, BWV 1006 — a comparison of 25 artists / 26 recordings, from historic to HIP: with Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2001), Tetzlaff (2005), Mullova (2008), Baráti (2009), Faust (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Bohren (2017), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #637 — #rolfsmblog •

Christian Tetzlaff, Gevorg Gharabekyan, Kammerorchester I TEMPI — Basel, 2022-06-18

Concert review, ★★★★, Christian Tetzlaff, Gevorg Gharabekyan, Kammerorchester I TEMPI — Stadtcasino Basel, 2022-06-18 — Mozart: Overture to “Die Zauberflöte”, K.620; Sibelius: Violin Concerto in D minor, op.47; Encore — Bach: III. Largo, from Sonata No.3 for Violin solo in C major, BWV 1005; Beethoven: Symphony No.3 in E♭ major, op.55, “Eroica”
Blog post #616 — #rolfsmblog •

Klavierissimo 2022: Marc-André Hamelin — Piano Recital, Wetzikon ZH, 2022-02-23

Concert review, ★★★★, Marc-André Hamelin @ KZO, Wetzikon ZH, 2022-02-23 (Klavierissimo Festival 2022) — C.P.E. Bach: Suite in E minor, Wq 62/12, H.66; S. Prokofiev: Sarcasms, op.17; A. Scriabin: Piano Sonata No.7, op.64, “Messe blanche” (White Mass); L.v. Beethoven: Piano Sonata No.29 in B♭ major, op.106, “Hammerklaviersonate”
Blog post #599 — #rolfsmblog •

Mizmorim Festival: Gringolts Quartet, Christophe Coin, Alice Burla — Basel, 2022-01-22

Concert review, ★★★★★, Mizmorim Chamber Music Festival / “Musica notturna”: Gringolts Quartet, Christophe Coin, Alice Burla @ Gare du Nord, Basel, 2022-01-22 — Boccherini: String Quintet in C major, op.30/6, G.324, “La musica notturna delle strade di Madrid”; Milhaud: 4 Visages for viola and piano, op.238; Ravel: String Quartet in F major, M.35
Blog post #595 — #rolfsmblog •

Bach: “Sei Solo” — Sonata No.1 in G minor for Violin Solo, BWV 1001

Media review — Bach: Sonata No.1 in G minor for Violin Solo, BWV 1001 — a comparison of 25 artists / 26 recordings, from historic to HIP: with Kreisler (1926), Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2002), Tetzlaff (2005), Mullova (2008), Baráti (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Faust (2012), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #584 — #rolfsmblog •

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