Mozart: Piano Concerto No.22 in E♭ major, K.482

Comparing recordings with the following artists: Géza Anda, Camerata Academica (1962) / Vladimir Ashkenazy, Philharmonia Orchestra (1978) / Daniel Barenboim, English Chamber Orchestra (1971), Kristian Bezuidenhout, Petra Müllejans, Freiburger Barockorchester (2012)

Mozart: Piano Concerto No.17 in G major, K.453

Mozart: Piano Concerto No.17 in G major, K.453 — comparing recordings with the following artists: Géza Anda (1962), Vladimir Ashkenazy (1977), Daniel Barenboim (1968), Kristian Bezuidenhout/Petra Müllejans (2012), Arthur Rubinstein/Alfred Wallenstein (1962), Andreas Staier (1995)

Writing & Reading About Music

(…) there isn’t such a thing as “objective” judgement / rating in classical music, for many reasons: How people listen to music, how music “works on them”, what specifically they like about music, which kind of music they like, which / what type of musical expression “goes straight to their heart”, causes them to get goose bumps…