Julia Hagen, Aimi Kobayashi, Kristiina Poska / Tonhalle Orchestra — Zurich, 2020-03-04

Concert review, ★★★½, Julia Hagen, Aimi Kobayashi, Kristiina Poska / Tonhalle Orchestra @ Tonhalle Maag, Zurich, 2020-03-04 — Tchaikovsky: Variations on a Rococo Theme in A major, op.33; Liszt: Piano Concerto No.1 in E♭ major, S.124; Dvořák: Symphony No.9 in E minor, op.95, B.178, “From the New World”
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Nehring, Ridout, Zinman / Tonhalle Orchestra — Zurich, 2019-05-24

Blog post #498 — Concert review, ★★★★, Szymon Nehring, Timothy Ridout, David Zinman / Tonhalle Orchestra @ Tonhalle Maag, Zurich, 2019-05-24 (Young Soloists On Stage — Orpheum Foundation) — Beethoven: Piano Concerto No.1 in C major, op.15; Walton: Viola Concerto (1929); Bernstein: Symphonic Dances from “West Side Story”
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Till Fellner, Bernard Haitink / Tonhalle Orchestra — Zurich, 2018-09-19

Concert review, Till Fellner, Bernard Haitink / Tonhalle Orchestra @ Tonhalle Maag, Zurich, 2018-09-19 — Mozart: Piano Concerto No.22 in E♭ major, K.482; Bruckner: Symphony No.7 in E major, WAB 107


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Wang, Rouilly, Grossenbacher, Bringuier — Zurich, 2018-06-07

Concert review, Yuja Wang, Michel Rouilly, Thomas Grossenbacher, Lionel Bringuier / Tonhalle Orchestra @ Zurich, 2018-06-07 — Richard Strauss: “Don Quixote”, op.35; Prokofiev: Piano Concerto No.3 in C major, op.26; Ravel: La Valse, poème choréographique pour orchestre


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Andsnes, Bringuier — Tonhalle Maag, Zurich, 2018-05-16

Concert review, Leif Ove Andsnes, Lionel Bringuier / Tonhalle Orchestra @ Tonhalle Maag, Zurich, 2018-05-16 — Honegger: Mouvement symphonique No.2, H.67, “Rugby”; Britten: Piano Concerto in D major, op.13; Rimsky-Korsakov: Symphonic Suite “Schéhérazade”, op.35


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Kanneh-Mason, Tjeknavorian, Sanderling / TOZ — Zurich, 2018-03-14

Concert review, Sheku Kanneh-Mason, Emmanuel Tjeknavorian, Michael Sanderling / Tonhalle Orchestra @ Tonhalle Maag, Zurich, 2018-03-14 — Dvořák: Carnival Overture, op.92; Shostakovich: Cello Concerto No.1 in E♭ major, op.107; Brahms: Violin Concerto in D major, op.77; includes a brief review of Sheku Kanneh-Mason’s debut CD


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