All just my personal opinion
Concert review, ★★★★½, Konstantin Scherbakov, Beethoven Sonata Cycle, Recital #2 @ Aula, Alte Kantonsschule, Zurich, 2019-10-26 — Piano Sonata No.5 in C minor, op.10/1; Piano Sonata No.6 in F major, op.10/2; Piano Sonata No.7 in D major, op.10/3; Piano Sonata No.8 in C minor, op.13, “Pathétique”
Blog post #515 — #rolfsmblog •
Concert review, ★★★★½, Konstantin Scherbakov, Beethoven Sonata Cycle, Recital #1 @ Aula, Alte Kantonsschule, Zurich, 2019-09-21 — Piano Sonata No.1 in F minor, op.2/1; Piano Sonata No.2 in A major, op.2/2; Piano Sonata No.3 in C major, op.2/3; Piano Sonata No.4 in E♭ major, op.7
Blog post #508 — #rolfsmblog •
Blog post #495 — Concert review, ★★★★½, Konstantin Scherbakov @ Zurich University, 2019-05-21 — Beethoven, late piano works: Diabelli Variations, op.120; 11 Bagatelles, op.119; 6 Bagatelles, op.126; Rondo a capriccio “The Rage over the Lost Penny”, op.129
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Concert review, piano recital Konstantin Scherbakov, Semper-Aula / ETH Zurich, 2017-04-11 — P.I. Tchaikovsky: 18 Morceaux, op.72 (Nos. 14 & 5); Tchaikovsky: Grande Sonate in G major, op.37; S.M. Lyapunov: Études dʹexécution transcendante, op.11 (Nos. 1, 8, 5, 6, 2, & 10)
Concert Review: Piano Recital Konstantin Scherbakov in the Semper-Aula at ETH Zurich, 2016-04-19: Original works and transcriptions by Leopold Godowsky (Bach, Schubert, Albéniz, Strauss)
… while for the past two decades the artist is mostly pictured with an earnest, maybe “Beehovenian” / titanic, somewhat closed facial expression, in the concert (which he presented with a mostly relaxed, yet controlled body language) his face hinted at a wealth of emotions — and his playing struck me as a prime example of the “big Russian Piano School” …