All just my personal opinion
Concert review, Alena Baeva, Anastasia Kobekina, Julia Jones / Wuppertal Symphony Orchestra @ Uster, 2018-05-17 — Haydn: Overture to “L’infedeltà delusa”; Brahms: Double Concerto in A minor, op.102; Mendelssohn: Symphony No.3 in A minor, op.56, “Scottish”
Concert review, Sheku Kanneh-Mason, Emmanuel Tjeknavorian, Michael Sanderling / Tonhalle Orchestra @ Tonhalle Maag, Zurich, 2018-03-14 — Dvořák: Carnival Overture, op.92; Shostakovich: Cello Concerto No.1 in E♭ major, op.107; Brahms: Violin Concerto in D major, op.77; includes a brief review of Sheku Kanneh-Mason’s debut CD
Concert review, Daniele Gatti / Mahler Chamber Orchestra @ KKL, Lucerne, 2018-01-23 — Schumann: Overture to “Genoveva”, op.81; Beethoven: Symphony No.4 in B♭ major, op.60; Schumann: Symphony No.3 in E♭ major, op.97, “Rhenish”
Concert review: Beatrice Rana, Sir Antonio Pappano / Orchestra dell’Accademia Nazionale di Santa Cecilia @ LAC, Lugano, 2017-05-07 — Rossini: “Le siège de Corinthe”, Overture; Tchaikovsky: Piano Concerto No.1 in B♭ minor, op.23; Respighi: Fontane di Roma & Pini di Roma
Concert review: 6th Swiss Charity Concert at Tonhalle Zurich, 2016-09-08: Victor Emanuel Dijon von Monteton, Mira Marie Foron, Praga Camerata — Gioacchino Rossini: Overture to “Il Barbiere di Siviglia; Felix Mendelssohn Bartholdy: Violin Concerto in E minor, op.64; Antonín Dvořák: Symphony No.9 in E minor, op.95, “From the New World”
With the entrance of the solo violin, though, the attention turned towards Sophia Jaffé, who presented herself as an experienced, expressive violinist, with a sonorous, full tone, delivering a solid, convincing interpretation.