Bach: “Sei Solo” — Partita No.1 in B minor for Violin Solo, BWV 1002

Media review — Bach: Partita No.1 in B minor for Violin Solo, BWV 1002 — a comparison of 24 artists / 25 recordings, from historic to HIP: with Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2002), Tetzlaff (2005), Mullova (2008), Baráti (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Faust (2012), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #589 — #rolfsmblog •

Bach: “Sei Solo” — Sonata No.1 in G minor for Violin Solo, BWV 1001

Media review — Bach: Sonata No.1 in G minor for Violin Solo, BWV 1001 — a comparison of 25 artists / 26 recordings, from historic to HIP: with Kreisler (1926), Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2002), Tetzlaff (2005), Mullova (2008), Baráti (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Faust (2012), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #584 — #rolfsmblog •

Bach: “Sei Solo”, Sonatas and Partitas for Violin Solo — Comparison Summary

Media review — Bach: The Sonatas and Partitas for Violin Solo (Sei Solo) BWV 1001-1006 — Comparison Summary, Artist and Media Information. 26 artists / 28 recordings, from historic to HIP: Kreisler (1926), Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2002), Tetzlaff (2005), Mullova (2008), Baráti (2009), Faust (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Faust (2012), Bohren (2017), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #585 — #rolfsmblog •

Beethoven: Violin Sonata No.9 in A major, op.47, “Kreutzer”

Beethoven: Sonata for Piano and Violin No.9 in A major, op.47, “Kreutzer Sonata” — comparing 12 recordings: Busch/Serkin (1941), Capuçon/Braley (2009), Faust/Melnikov (2008), Grumiaux/Haskil (1957), Kremer/Argerich (1995), Menuhin/Kempff (1970), Mullova/Bezuidenhout (2009), Oistrakh/Oborin (1962), Perlman/Ashkenazy (1975), Perlman/Argerich (1998), Szeryng/Rubinstein (1958), Tur Bonet/Vişovan (2020)

Beethoven: Violin Sonata No.10 in G major, op.96, “The Cockcrow”

Beethoven: Sonata for Piano and Violin No.10 in G major, op.96, “The Cockcrow” — comparing 8 recordings: Capuçon/Braley (2009), Faust/Melnikov (2008), Grumiaux/Haskil (1957), Kremer/Argerich (1995), Menuhin/Kempff (1970), Oistrakh/Oborin (1962), Perlman/Ashkenazy (1975), Tur Bonet/Vişovan (2020)

Ysaÿe: 6 Solo Sonatas op.27 (Diary 2017-12-29)

A short review with a brief comparison of several recordings of the six Sonatas for Solo Violin, op.27 by Eugène Ysaÿe (1858 – 1931), featuring recordings by Oscar Shumsky (1982), Frank Peter Zimmerman (1994), Thomas Zehetmair (2002), and Kristóf Baráti (2013), and a brief outlook to further recordings.