Bomsori Kim & Thomas Hoppe — Zurich, 2022-03-04

Concert review, ★★★★, Bomsori Kim & Thomas Hoppe @ Tonhalle am See, Zurich, 2022-03-04 — Beethoven: Violin Sonata No.5 in F major, op.24, “Spring Sonata”; Szymanowski: Nocturne and Tarantella, op.28; Fauré: Violin Sonata No.1 in A major, op.13; Wieniawski: Fantaisie brillante sur des motifs de l’opéra “Faust” de Gounod, op.20
Blog post #600 — #rolfsmblog •

Bach: “Sei Solo” — Sonata No.2 in A minor for Violin Solo, BWV 1003

Media review — Bach: Sonata No.2 in A minor for Violin Solo, BWV 1003 — a comparison of 24 artists / 25 recordings, from historic to HIP: with Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2002), Tetzlaff (2005), Mullova (2008), Baráti (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Faust (2012), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #598 — #rolfsmblog •

Bach: “Sei Solo” — Sonata No.1 in G minor for Violin Solo, BWV 1001

Media review — Bach: Sonata No.1 in G minor for Violin Solo, BWV 1001 — a comparison of 25 artists / 26 recordings, from historic to HIP: with Kreisler (1926), Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2002), Tetzlaff (2005), Mullova (2008), Baráti (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Faust (2012), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #584 — #rolfsmblog •

Bach: “Sei Solo”, Sonatas and Partitas for Violin Solo — Comparison Summary

Media review — Bach: The Sonatas and Partitas for Violin Solo (Sei Solo) BWV 1001-1006 — Comparison Summary, Artist and Media Information. 26 artists / 28 recordings, from historic to HIP: Kreisler (1926), Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2002), Tetzlaff (2005), Mullova (2008), Baráti (2009), Faust (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Faust (2012), Bohren (2017), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #585 — #rolfsmblog •

Beethoven: Violin Sonata No.9 in A major, op.47, “Kreutzer”

Beethoven: Sonata for Piano and Violin No.9 in A major, op.47, “Kreutzer Sonata” — comparing 12 recordings: Busch/Serkin (1941), Capuçon/Braley (2009), Faust/Melnikov (2008), Grumiaux/Haskil (1957), Kremer/Argerich (1995), Menuhin/Kempff (1970), Mullova/Bezuidenhout (2009), Oistrakh/Oborin (1962), Perlman/Ashkenazy (1975), Perlman/Argerich (1998), Szeryng/Rubinstein (1958), Tur Bonet/Vişovan (2020)

Beethoven: Violin Sonata No.10 in G major, op.96, “The Cockcrow”

Beethoven: Sonata for Piano and Violin No.10 in G major, op.96, “The Cockcrow” — comparing 8 recordings: Capuçon/Braley (2009), Faust/Melnikov (2008), Grumiaux/Haskil (1957), Kremer/Argerich (1995), Menuhin/Kempff (1970), Oistrakh/Oborin (1962), Perlman/Ashkenazy (1975), Tur Bonet/Vişovan (2020)