All just my personal opinion
Comparing recordings with the following artists: Casals/Horszowski (1939), Fournier/Schnabel (1948), Fournier/Gulda (1959), Fournier/Kempff (1965), Harrell/Ashkenazy (1987), Isserlis/Levin (2012), Maisky/Argerich (1991), Perényi/Schiff (2004),
Queyras/Melnikov (2013), Rostropovich/Richter (1962), Wispelwey/Komen (1991), Wispelwey/Lazić (2004)
Comparing recordings with the following artists: Casals/Schulhof (1930), Fournier/Schnabel (1947), Fournier/Gulda (1959), Fournier/Kempff (1965), Harrell/Ashkenazy (1987), Isserlis/Levin (2012), Maisky/Argerich (1993), Perényi/Schiff (2004),
Queyras/Melnikov (2013), Rostropovich/Richter (1961), Wispelwey/Komen (1991), Wispelwey/Lazić (2004)
Concert review: Christoph Croisé (cello), Oliver Schnyder & Meta Fajdiga (piano) in Arosa/CH, 2016-02-25 — Schubert, Piano Sonata in C minor D.958 & Fantasia in F minor, D.940; Rachmaninoff: Cello Sonata in G minor, op.19
(…) For this season (2014/15), the Chinese pianist Yuja Wang is “Artist in residence” at the Tonhalle. This position / title entails a number of concert (limited, though, considering the demand she faces all over the world), the first two of which were the opening concerts of the season, a third one was on Sunday, 2014-09-14, with chamber music: she was joined by two prominent musicians from the Tonhalle Orchestra…
(…) stunned by Han-Na Chang’s performance of the Haydn C major concerto (…). That performance dates back some 7 years (2005) — but she had recorded both Haydn concertos already back in 1998, when she was 16; in that YouTube performance, it was amazing to see not only her enormous technical skills, but also her freedom of expression, and how much she has detached herself from technicalities, how much she is totally relaxed and appears to enjoy her own playing while visually communicating with the orchestra…