All just my personal opinion
Claire Huangci played the Scarlatti sonatas without interruption, and without repeats — this way, she formed a single piece where it was hard for the listener to recognize transitions from one sonata to the next. It’s an interesting idea…
… it was fascinating to observe how the violin remained audible, kept a clear presence even through minimal, light movements of the bow (…)
In the subsequent Larghetto, the soloist enchanted the audience with the most intimate, whispering tones, played almost sul ponticello, with minute, discreet movements of the bow, merely a hint, but always present, down to the softest ppp and below — one could almost sense the audience holding breath, totally captured by this playing.
The first part of this evening was devoted to Rachmaninoff’s Piano Concerto No.3 in D minor, op.30 — a well-respected benchmark among pianists of the top league. Lise de la Salle played this concerto eloquently, with compassion — she visibly lived with the music, also in the orchestral parts: her playing is fluent, competent, aimed at a full, rounded sound…
My first reaction in writing this short review was to use a title such as “Bach’s Christmas Oratorio — How Not To” — but let me start properly: This year’s Christmas concert in the Tonhalle Zurich (on Friday, 2014-12-19) was given by the Zürcher Sing-Akademie (Zurich Singing Academy), the professional choir, founded in 2011, following the footsteps of the Schweizer Kammerchor (Swiss Chamber Choir)…
Igor Levit was born 1987 in Nizhny Novgorod (Gorky); in 1995 his family moved to Germany; he grew up with the piano (his mother is a pianist whose teacher had once studied with Heinrich Neuhaus), did his musical studies at the Hochschule für Musik, Theater und Medien Hannover and finished with the best notes ever given by that institution. Aged 17, he was the youngest participant at the International Arthur Rubinstein Piano Master Competition in Tel Aviv, in 2005; he won the second prize, plus several special awards, such as the special prize for chamber music, and the audience award…
Rubinstein’s Recording Repertoire: J.S. Bach’s Chaconne in D minor (from the Partita for violin solo, BWV 1004), arranged for piano by Ferruccio Busoni