All just my personal opinion
Andrew Tyson (winner, Concours Géza Anda 2015), Piano recital at ETH Zurich, 2016-02-09 — Domenico Scarlatti: Sonatas K.9, K.322, and K.96; Maurice Ravel: Miroirs; Isaac Albeniz: Iberia, 1st book; Franz Liszt: Rhapsodie espagnole , S.254
Tonhalle Zurich, 2015-10-17: Concert by the NWD Philharmonie under Yves Abel, featuring Sergei Rachmaninoff’s Piano Concerto No.3 in D minor, op.30 (with Alexei Volodin as soloist) and Robert Schumann’s Symphony No.1 in B♭ major, op.38
Claire Huangci played the Scarlatti sonatas without interruption, and without repeats — this way, she formed a single piece where it was hard for the listener to recognize transitions from one sonata to the next. It’s an interesting idea…
Comparing recordings with the following artists: Géza Anda, Camerata Academica (1962) / Vladimir Ashkenazy, Philharmonia Orchestra (1978) / Daniel Barenboim, English Chamber Orchestra (1971), Kristian Bezuidenhout, Petra Müllejans, Freiburger Barockorchester (2012)
Mozart: Piano Concerto No.17 in G major, K.453 — comparing recordings with the following artists: Géza Anda (1962), Vladimir Ashkenazy (1977), Daniel Barenboim (1968), Kristian Bezuidenhout/Petra Müllejans (2012), Arthur Rubinstein/Alfred Wallenstein (1962), Andreas Staier (1995)