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Faust, Blendulf / ZKO — Zurich, 2015-02-03

… it was fascinating to observe how the violin remained audible, kept a clear presence even through minimal, light movements of the bow (…)
In the subsequent Larghetto, the soloist enchanted the audience with the most intimate, whispering tones, played almost sul ponticello, with minute, discreet movements of the bow, merely a hint, but always present, down to the softest ppp and below — one could almost sense the audience holding breath, totally captured by this playing.

de la Salle, Luisi / Philharmonia — Zurich Opera, 2015-01-18

The first part of this evening was devoted to Rachmaninoff’s Piano Concerto No.3 in D minor, op.30 — a well-respected benchmark among pianists of the top league. Lise de la Salle played this concerto eloquently, with compassion — she visibly lived with the music, also in the orchestral parts: her playing is fluent, competent, aimed at a full, rounded sound…

Brown / Sing-Akademie: Bach, Bax, Britten — Zurich, 2014-12-19

My first reaction in writing this short review was to use a title such as “Bach’s Christmas Oratorio — How Not To” — but let me start properly: This year’s Christmas concert in the Tonhalle Zurich (on Friday, 2014-12-19) was given by the Zürcher Sing-Akademie (Zurich Singing Academy), the professional choir, founded in 2011, following the footsteps of the Schweizer Kammerchor (Swiss Chamber Choir)…

Albrecht Mayer, Norrington / ZKO — Zurich, 2014-11-25

(…) The last position in the program (after the intermission) was Mozart’s Symphony No.40 in G minor, K.550, in its first version (without clarinets), preceded by some explanations (in English) by the conductor. Sir Roger Norrington first alluded to numeric relations between the two symphonies (No.4 vs. No.40 — second vs. second-to-last symphony), then referred to the fact that K.550 is overused, known too well even, and played in warehouses and escalators…

Igor Levit — Tonhalle Zurich, 2014-10-21

Igor Levit was born 1987 in Nizhny Novgorod (Gorky); in 1995 his family moved to Germany; he grew up with the piano (his mother is a pianist whose teacher had once studied with Heinrich Neuhaus), did his musical studies at the Hochschule für Musik, Theater und Medien Hannover and finished with the best notes ever given by that institution. Aged 17, he was the youngest participant at the International Arthur Rubinstein Piano Master Competition in Tel Aviv, in 2005; he won the second prize, plus several special awards, such as the special prize for chamber music, and the audience award…

Tchaikovsky, Rachmaninoff — Zurich Opera, 2013-12-22

Personal report on the Philharmonic Concert at Zurich Opera, 2013-12-22: Lise de la Salle and Fabio Luisi / Philharmonia Zurich — Rachmaninoff, Piano Concerto No.2 in C minor, op.18; Tchaikovsky: Symphony No.6 in B minor, op.74, “Pathétique”

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