All just my personal opinion
Concert review, ★★★★½, Dmytro Choni @ Semper-Aula, ETH Zurich, 2019-11-19 — Brahms: 2 Rhapsodies, op.79; Schumann: Gesänge der Frühe, op.133; Liszt: Après une lecture du Dante, S.161/7; Rachmaninoff: 6 Romances, op.38: No.3, “Daisies”; 12 Romances, op.21: No.5, “Lilacs”; 6 Moments Musicaux, op.16: No.4, Presto in E minor; Piano Sonata No.2 in B♭ minor, op.36
Blog post #521 — #rolfsmblog •
Blog post #489 — Review, Charity Concert (Orphanhealthcare Foundation), Students of the Engadin International Piano Summer Academy 2017 @ Zurich, 2019-04-30 —
Richard Octaviano Kogima — Bach: English Suite No.3 in G minor, BWV 808;
Meta Fajdiga — Liszt: Consolation #3 S.172/3; Liszt: Après une lecture du Dante, S.161/7;
Jérémie Conus — Martin: 8 Préludes;
Aleksandr Kliuchko — Ravel: Gaspard de la nuit, M.55
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Concert review: Piano recital Pietro De Maria, ETH Zurich / Semper-Aula, 2016-10-25: piano works by Chopin (Mazurki op.7/3, op.23/2, op.63/3; Ballade op.23; Nocturne op.27/2; Scherzo op.31) — Ligeti (Etudes Nos.8, 5, 13) — Liszt (Valse-Caprice No.6, Sonetto 104 del Petrarca, Etude No.3 “La Campanella”)
(…) Yulianna’s playing was excellent! She is very virtuosic and very expressive! Where the tempo permits, she is nearly as clear in the articulation as Steven Hough — but she is way more expressive; unlike Volodos, she follows the score; she is not overpowering the music like Volodos, but has more agility than her Russian colleague (and avoids his unnecessary additions, I should say), she is often almost as fast and eruptive as Cziffra in the virtuosic octave passages, but in general keeps her articulation under control…