wp_enqueue_scripts, admin_enqueue_scripts, or login_enqueue_scripts hooks. This notice was triggered by the wpforms-gutenberg-form-selector handle. Please see Debugging in WordPress for more information. (This message was added in version 3.3.0.) in /home/rolfmu76/www/rolf-musicblog.net/wp-includes/functions.php on line 5865All just my personal opinion
Concert review, ★★½, Eliane Rodrigues @ KZO, Wetzikon ZH, 2022-02-24 (Klavierissimo Festival 2022) — Chopin: 24 Préludes, op.28; Beethoven: Symphony No.5 in C minor, op.67 (transcr. Liszt)
Blog post #603 — #rolfsmblog •
Blog post #474 — Concert review, ★★★★½, Piano Recital: Claire Huangci @ Tonhalle Maag, Zurich, 2019-03-01 — D. Scarlatti: Sonatas K.443, K.208, K.29, K.435; Chopin: Nocturne No.3 in B♭ major op.9/3, Nocturne No.13 in C minor op.48/1; Rachmaninoff: Prélude in C♯ minor op.3/2, Préludes op.23/1-7; Chopin: 24 Préludes op.28
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Concert review: Piano Recital Daniil Trifonov @ KKL Lucerne, 2017-11-24 — Mompou / Schumann / Grieg / Barber / Tchaikovsky / Rachmaninoff: Piano Pieces on themes by or referring to Frédéric Chopin; Chopin: Piano Sonata No 2 in B♭ minor, op.35
(…) Yulianna’s playing was excellent! She is very virtuosic and very expressive! Where the tempo permits, she is nearly as clear in the articulation as Steven Hough — but she is way more expressive; unlike Volodos, she follows the score; she is not overpowering the music like Volodos, but has more agility than her Russian colleague (and avoids his unnecessary additions, I should say), she is often almost as fast and eruptive as Cziffra in the virtuosic octave passages, but in general keeps her articulation under control…