wp_enqueue_scripts, admin_enqueue_scripts, or login_enqueue_scripts hooks. This notice was triggered by the wpforms-gutenberg-form-selector handle. Please see Debugging in WordPress for more information. (This message was added in version 3.3.0.) in /home/rolfmu76/www/rolf-musicblog.net/wp-includes/functions.php on line 5865All just my personal opinion
Concert review, ★★★½, Luka Okros @ Aula, Zurich University, 2022-03-24 — Domenico Scarlatti: Sonatas in D Minor K.32, K.39, K.213, and K.141; Frédéric Chopin: Nocturne No.2 in E♭ major op.9/2, Nocturne No.15 in F minor op.55/1, Nocturne No.4 in F major op.15/1, Nocturne No.20 in C♯ minor op.posth.; Sergei Rachmaninoff: Piano Sonata No.2 in B♭ minor, op.36; Franz Liszt: Rhapsodie espagnole, S.254
Blog post #605 — #rolfsmblog •
Concert review, Claire Huangci, Heiko Mathias Förster / Prague Royal Philharmonic @ Zurich, 2018-10-20 — Works by Ludwig van Beethoven: Overture “Leonore” No.3 in C major, op.72b / Piano Concerto No.5 in E♭ major, op.73, “Emperor” / Symphony No.6 in F major, op.68, “Pastorale”
(…) Yulianna’s playing was excellent! She is very virtuosic and very expressive! Where the tempo permits, she is nearly as clear in the articulation as Steven Hough — but she is way more expressive; unlike Volodos, she follows the score; she is not overpowering the music like Volodos, but has more agility than her Russian colleague (and avoids his unnecessary additions, I should say), she is often almost as fast and eruptive as Cziffra in the virtuosic octave passages, but in general keeps her articulation under control…