Search Results for: cd_review_post ARTSRCH_concentus_musicus_wien

Bach: “Sei Solo”, Sonatas and Partitas for Violin Solo — Comparison Summary

Media review — Bach: The Sonatas and Partitas for Violin Solo (Sei Solo) BWV 1001-1006 — Comparison Summary, Artist and Media Information. 26 artists / 28 recordings, from historic to HIP: Kreisler (1926), Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2002), Tetzlaff (2005), Mullova (2008), Baráti (2009), Faust (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Faust (2012), Bohren (2017), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #585 — #rolfsmblog •

Bach: St.John Passion BWV 245

Bach, St.John Passion BWV 245, with the following artists: Harnoncourt / Equiluz (1965), Jochum / Haefliger (1967), Rotzsch / Schreier (1976), Koopman / de Mey (1993), Suzuki / Türk (1998), Gardiner / Padmore (2003), Layton / Bostridge (2012)

Bach: The Motets

Bach: The Motets — comparing recordings with the following artists: Bernius (2012), Christophers (1989), Gardiner (1980), Gardiner (2011), Harnoncourt (1980), Herreweghe (1985), Junghänel (1995), Katschner (2012)

Bach: Cantata BWV 140

Bach: Cantata BWV 140, “Wachet auf, ruft uns die Stimme” — Comparing 5 recordings: Leppard/English Chamber Orchestra, London Voices (1981), Harnoncourt/Concentus musicus (1984, partial), Gardiner/Monteverdi Choir/English Baroque Soloists (1992), Koopman/Amsterdam Baroque Orchestra & Choir (2006), Lutz/J.S.Bach-Stiftung St.Gallen (2008, DVD)