Konstantin Scherbakov — Piano Recital, Zurich, 2019-05-21

Blog post #495 — Concert review, ★★★★½, Konstantin Scherbakov @ Zurich University, 2019-05-21 — Beethoven, late piano works: Diabelli Variations, op.120; 11 Bagatelles, op.119; 6 Bagatelles, op.126; Rondo a capriccio “The Rage over the Lost Penny”, op.129
#rolfsmblog


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Anderszewski, Zimmermann / ZKO — Tonhalle Maag, Zurich, 2018-05-29

Concert review, Piotr Anderszewski, Willi Zimmermann / Zurich Chamber Orchestra (ZKO) @ Tonhalle Maag, Zurich, 2018-05-29 — Haydn: Symphony No.86 in D major, Hob.I:86; Mozart: Piano Concerto No.12 in A major, K.414 (385p); Schreker: Intermezzo for string orchestra, op.8; Mozart: Piano Concerto No.17 in G major, K.453


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Piotr Anderszewski — Piano Recital, Zurich, 2017-05-30

Concert Review, piano recital Piotr Anderszewski @ Tonhalle Zurich, 2017-05-30 — Schumann: Variations in E♭ major, WoO 24, “Ghost Variations” — Mozart: Fantasia in C minor, K.475/Piano Sonata No.14 in C minor, K.457 — Leoš Janáček: On an Overgrown Path, Book II — Chopin: Three Mazurki, op.59; Polonaise No.7 in A♭ major “Polonaise-fantaisie”, op.61


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Konstantin Scherbakov — Piano Recital, Zurich, 2015-12-12

Piano Recital by Konstantin Scherbakov at Zurich Tonhalle, 2015-12-12 — Beethoven: Piano Sonata in C♯ minor, op.27/2, “Moonlight” / Variations with Fugue in E♭ major, op.35, “Eroica”; Liszt: Transcription of L.v.Beethoven’s Symphony No.3 in E♭ major, op.55, “Eroica”


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Stephen Kovacevich — Piano Recital, Baden/CH, 2015-09-18

Piano recital by Stephen Kovacevich in Baden / Switzerland, 2015-09-18, featuring Alban Berg’s Piano Sonata in B minor, op.1, and Franz Schubert’s last two Piano Sonatas, the Sonata in A major (D.959), and the Sonata in B♭ major (D.960)


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Konstantin Scherbakov — Piano Recital, Zurich, 2015-03-24

… while for the past two decades the artist is mostly pictured with an earnest, maybe “Beehovenian” / titanic, somewhat closed facial expression, in the concert (which he presented with a mostly relaxed, yet controlled body language) his face hinted at a wealth of emotions — and his playing struck me as a prime example of the “big Russian Piano School” …


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