All just my personal opinion
Concert review, Stadthaus Winterthur, 2016-12-04: Ian Bostridge, Thomas Zehetmair and the Orchester Musikkollegium Winterthur playing Franz Schubert’s cycle “Winterreise”, op.89, D.911, in the 1993 version for voice and small orchestra by Hans Zender (1936 – 2019)
Media review — Bach: The Sonatas and Partitas for Violin Solo (Sei Solo) BWV 1001-1006 — Comparison Summary, Artist and Media Information. 26 artists / 28 recordings, from historic to HIP: Kreisler (1926), Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2002), Tetzlaff (2005), Mullova (2008), Baráti (2009), Faust (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Faust (2012), Bohren (2017), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #585 — #rolfsmblog •
Concert review, Mojca Erdmann, Topi Lehtipuu, Brett Dean, Tonhalle Orchestra @ Tonhalle Maag, Zurich, 2018-02-28 — Brett Dean (*1961): “Testament”, Music for Twelve Violas (2002); Dean: From Melodious Lay (A Hamlet Diffraction) for Soprano, Tenor, and Orchestra (2016); Beethoven: Symphony No.3 in E♭ major, op.55, “Eroica”
A short review with a brief comparison of several recordings of the six Sonatas for Solo Violin, op.27 by Eugène Ysaÿe (1858 – 1931), featuring recordings by Oscar Shumsky (1982), Frank Peter Zimmerman (1994), Thomas Zehetmair (2002), and Kristóf Baráti (2013), and a brief outlook to further recordings.
Bach, St.John Passion BWV 245, with the following artists: Harnoncourt / Equiluz (1965), Jochum / Haefliger (1967), Rotzsch / Schreier (1976), Koopman / de Mey (1993), Suzuki / Türk (1998), Gardiner / Padmore (2003), Layton / Bostridge (2012)
Schumann: Liederkreis op.39, Dichterliebe op.48 — comparing recordings with the following artists: Fischer-Dieskau/Moore (Live, 1956), Fischer-Dieskau/Brendel (1986), Goerne/Schneider (1998), Terfel/Martineau (1999), Wunderlich/Giesen (1965), Bostridge/Drake (1997); notes about related recordings