All just my personal opinion
Concert review, Tonhalle Zurich, 2016-10-22: Regula Mühlemann, Joshua Bell and the Verbier Festival Chamber Orchestra — Mozart: “Exsultate, Jubilate”, K.165; Mendelssohn: Violin Concerto in E minor, op.64; Beethoven: Symphony No.7 in A major, op.92
Media review — Bach: The Sonatas and Partitas for Violin Solo (Sei Solo) BWV 1001-1006 — Comparison Summary, Artist and Media Information. 26 artists / 28 recordings, from historic to HIP: Kreisler (1926), Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schr?der (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2002), Tetzlaff (2005), Mullova (2008), Baráti (2009), Faust (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Faust (2012), Bohren (2017), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Concert review, Les Passions de l’Âme, Solomon’s Knot (Zoë Brookshaw, Kate Symonds-Joy, Ruairi Bowen, Thomas Herford, Jonathan Sells) @ Église Saint-François, Lausanne, 2018-03-31 — Johann Sebastian Bach (1685 – 1750): Choral Prelude “Erbarm’ dich mein, o Herre Gott”, BWV 721; Bach: St.John Passion, BWV 245; Jacobus Gallus / Handl (1550 – 1591): Motet “Ecce quomodo moritur justus”; Bach: Choral Prelude “Vater unser im Himmelreich”, BWV 636
Concert review, Winfried Toll, Camerata Vocale Freiburg, Kammerorchester Basel, Christoph Prégardien, Regula Mühlemann, Oscar Verhaar, Michael Feyfar, Peter Schöne @ Martinskirche Basel, 2018-03-29 — Johann Sebastian Bach (1685 – 1750): St.John Passion, BWV 245
Concert review: Christian Tetzlaff, Sir Roger Norrington & Zurich Chamber Orchestra (ZKO) @ Tonhalle Zurich, 2017-02-28 — Felix Mendelssohn Bartholdy: Violin Concerto in E minor, op.64; Ludwig van Beethoven: Symphony No.7 in A major, op.92