All just my personal opinion
Dmitri Shostakovich, Preludes & Fugues op.87: comparison, recordings by Tatiana Nikolayeva (1962), Boris Petrushansky (1992/92), Vladimir Ashkenazy (1998), Konstantin Scherbakov (1999), and Alexander Melnikov (2009)
Concert review, Isabel Villanueva (viola) & François Dumont (piano) @ Semper-Aula, ETH Zurich, 2017-11-21 — Brahms: Sonata No.2 in E♭ major, op.120/2; Dowland: “Flow my Tears”; Britten: Lachrymae, op.48a (Reflection about a song by J. Dowland); Franck: Sonata in A major, FWV 8
Rubinstein’s Recording Repertoire: Joseph Haydn, Andante con Variazioni in F minor, Hob.XVII:6 — Rubinstein, Buchbinder, Schornsheim, Staier;
Felix Mendelssohn, “Spinnerlied”
Mozart: Piano Concerto No.17 in G major, K.453 — comparing recordings with the following artists: Géza Anda (1962), Vladimir Ashkenazy (1977), Daniel Barenboim (1968), Kristian Bezuidenhout/Petra Müllejans (2012), Arthur Rubinstein/Alfred Wallenstein (1962), Andreas Staier (1995)
Recorder Music, Early Recordings with Maurice Steger: “An Italian Ground” (Steger, Kitaya) — for comparison: Icarus Ensemble, Pieter-Jan Belder, Andreas Staier, Ottavio Dantone, Yuja Wang); “An English Collection” (Steger, Kitaya)
Bach: 6 Partitas BWV 825 – 830 — comparing recordings with the following artists: Walter Gieseking (1950), Glenn Gould (1962), Andreas Staier (1993), Gustav Leonhardt (1986), Christophe Rousset (1992)