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Bach: Suite No.2 for Cello Solo in D minor, BWV 1008

Media review — Bach: Suite No.2 for Cello Solo in D minor, BWV 1008. 24 artists / 26 complete recordings, from historic to modern to HIP: Casals (1936), Fournier (1961), Bylsma (1979), Rostropovich (1991), Bylsma (1992), ter Linden (1996), Paternoster (1998), Wispelwey (1998), Pandolfo (2000, viola da gamba), Isserlis (2005), Queyras (2007), Gaillard (2010), Wispelwey (2012), Enders (2012), Watkin (2013), Demenga (2014), Dumas (2016), Kashkashian (2017, viola), Malov (2018, violoncello da spalla), Bertrand (2019), Teichmanis (2019), Kloeckner (2020), Rignol (2020, viola da gamba), Philippe (2021), de Naverán (2021), Skalka (2020)
Blog post #659 — #rolfsmblog •

Lucile Boulanger — “Solo Bach – Abel” (Diary 2024-01-02)

Review (Listening Diary) — Lucile Boulanger performing Solo works for Viola da gamba: 11 Solos by Carl Friedrich Abel (1723 – 1787), as well as the artist’s own transcriptions of solo works by Johann Sebastian Bach (1685 – 1750)
Blog post #658 — #rolfsmblog •

Bach: The 6 Suites for Cello Solo — Comparison Summary

Media review — Bach: The 6 Suites for Cello Solo, BWV 1007 – 1012 — Comparison Summary, Artist and Media Information. 24 artists / 26 complete recordings, from historic to HIP: Casals (1936–1939), Fournier (1961), Bylsma (1979), Rostropovich (1991), Bylsma (1992), ter Linden (1996), Paternoster (1998), Wispelwey (1998), Pandolfo (2000, viola da gamba), Isserlis (2005), Queyras (2007), Gaillard (2010), Wispelwey (2012), Enders (2012/2013), Watkin (2013), Demenga (2014), Dumas (2016), Kashkashian (2017, viola), Malov (2018, violoncello da spalla), Bertrand (2019), Teichmanis (2019), Kloeckner (2020), Rignol (2020), Skalka (2020), Philippe (2021), de Naverán (2021)
Blog post #652 — #rolfsmblog •

Bach: Suite No.1 for Cello Solo in G major, BWV 1007

Media review — Bach: Suite No.1 for Cello Solo in G major, BWV 1007. 24 artists / 26 complete recordings, from historic to modern to HIP: Casals (1939), Fournier (1961), Bylsma (1979), Rostropovich (1991), Bylsma (1992), ter Linden (1996), Paternoster (1998), Wispelwey (1998), Pandolfo (2000, viola da gamba), Isserlis (2005), Queyras (2007), Gaillard (2010), Wispelwey (2012), Enders (2013), Watkin (2013), Demenga (2014), Dumas (2016), Kashkashian (2017, viola), Malov (2018, violoncello da spalla), Bertrand (2019), Teichmanis (2019), Kloeckner (2020), Rignol (2020, viola da gamba), Philippe (2021), de Naverán (2021), Skalka (2020)
Blog post #651 — #rolfsmblog •

Jessica Horsley / Basel Sinfonietta — Tonhalle Maag, Zurich, 2021-06-07

Concert review, ★★★★, Festival “frauenkomponiert”: Jessica Horsley / Basel Sinfonietta @ Tonhalle Maag, Zurich, 2021-06-07 — Grażyna Bacewicz (1909 – 1969): Uwertura na Orkiestrę (1943); Ruth Gipps (1921 – 1999): Symphony No.2 in B major (1945); Cécile Marti (*1973): Wave Trip (2011); Dorothy Gertrude Howell (1898 – 1982): Koong Shee (1921); Florence Beatrice Price (1887 – 1953): Ethiopia’s Shadow in America (1932)
Blog post #578 — #rolfsmblog •

Forqueray: The Attraction of the Deep

Totally addicted!! In most of baroque Europe, the number of chamber music works for deep string instruments is rather small. Also, viols were very popular in France and in England (to some degree), but rarely used in Italy in baroque times, but at the French Court there was an entire school of famous viola da gamba players…