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Bach: The 6 Suites for Cello Solo — Comparison Summary

Media review — Bach: The 6 Suites for Cello Solo, BWV 1007 – 1012 — Comparison Summary, Artist and Media Information. 24 artists / 26 complete recordings, from historic to HIP: Casals (1936–1939), Fournier (1961), Bylsma (1979), Rostropovich (1991), Bylsma (1992), ter Linden (1996), Paternoster (1998), Wispelwey (1998), Pandolfo (2000, viola da gamba), Isserlis (2005), Queyras (2007), Gaillard (2010), Wispelwey (2012), Enders (2012/2013), Watkin (2013), Demenga (2014), Dumas (2016), Kashkashian (2017, viola), Malov (2018, violoncello da spalla), Bertrand (2019), Teichmanis (2019), Kloeckner (2020), Rignol (2020), Skalka (2020), Philippe (2021), de Naverán (2021)
Blog post #652 — #rolfsmblog •

Bach: “Sei Solo” — Partita No.3 in E major for Violin Solo, BWV 1006

Media review — Bach: Partita No.3 in E major for Violin Solo, BWV 1006 — a comparison of 25 artists / 26 recordings, from historic to HIP: with Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2001), Tetzlaff (2005), Mullova (2008), Baráti (2009), Faust (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Bohren (2017), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #637 — #rolfsmblog •

Bach: “Sei Solo” — Sonata No.3 in C major for Violin Solo, BWV 1005

Media review — Bach: Sonata No.3 in C major for Violin Solo, BWV 1005 — a comparison of 25 artists / 26 recordings, from historic to HIP: with Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2002), Tetzlaff (2005), Mullova (2008), Baráti (2009), Faust (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Bohren (2017), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #625 — #rolfsmblog •

Bach: “Sei Solo” — Partita No.2 in D minor for Violin Solo, BWV 1004

Media review — Bach: Partita No.2 in D minor for Violin Solo, BWV 1004 — a comparison of 25 artists / 26 recordings, from historic to HIP: with Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2001), Tetzlaff (2005), Mullova (2008), Baráti (2009), Faust (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Bohren (2017), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #620 — #rolfsmblog •

Sebastian Bohren, Cristian Măcelaru, Romanian Chamber Orchestra — Brugg, 2022-06-05

Concert review, ★★★★½, Sebastian Bohren, Cristian Măcelaru, Romanian Chamber Orchestra @ Stadtkirche, Brugg, 2022-06-05 — Georges Enescu: Two Intermezzi, op.12; Frank Martin: Polyptyque, for violin and two small string orchestras (1973); Dmitri Shostakovich: Chamber Symphony in C minor, op.110a (arr. Rudolf Barshai)
Blog post #615 — #rolfsmblog •

Bach: “Sei Solo” — Sonata No.2 in A minor for Violin Solo, BWV 1003

Media review — Bach: Sonata No.2 in A minor for Violin Solo, BWV 1003 — a comparison of 24 artists / 25 recordings, from historic to HIP: with Menuhin (1936), Szigeti (1956), Grumiaux (1961), Szeryng (1967), Kremer (1980), Zehetmair (1982), Schröder (1985), Paternoster (1995, cello), Huggett (1997), Podger (1999), Kremer (2002), Tetzlaff (2005), Mullova (2008), Baráti (2009), Ibragimova (2009), Khachatryan (2009), Beyer (2011), Pietsch (2011), Busch (2012), Faust (2012), Carmignola (2018), Pochekin (2018), Aldemir (2019, viola), Cotik (2019), Hadelich (2020)
Blog post #598 — #rolfsmblog •

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