Search Results for: ARTSRCH_kobekina_anastasia

Bach: Suite No.2 for Cello Solo in D minor, BWV 1008

Media review — Bach: Suite No.2 for Cello Solo in D minor, BWV 1008. 24 artists / 26 complete recordings, from historic to modern to HIP: Casals (1936), Fournier (1961), Bylsma (1979), Rostropovich (1991), Bylsma (1992), ter Linden (1996), Paternoster (1998), Wispelwey (1998), Pandolfo (2000, viola da gamba), Isserlis (2005), Queyras (2007), Gaillard (2010), Wispelwey (2012), Enders (2012), Watkin (2013), Demenga (2014), Dumas (2016), Kashkashian (2017, viola), Malov (2018, violoncello da spalla), Bertrand (2019), Teichmanis (2019), Kloeckner (2020), Rignol (2020, viola da gamba), Philippe (2021), de Naverán (2021), Skalka (2020)
Blog post #659 — #rolfsmblog •

Bach: The 6 Suites for Cello Solo — Comparison Summary

Media review — Bach: The 6 Suites for Cello Solo, BWV 1007 – 1012 — Comparison Summary, Artist and Media Information. 24 artists / 26 complete recordings, from historic to HIP: Casals (1936–1939), Fournier (1961), Bylsma (1979), Rostropovich (1991), Bylsma (1992), ter Linden (1996), Paternoster (1998), Wispelwey (1998), Pandolfo (2000, viola da gamba), Isserlis (2005), Queyras (2007), Gaillard (2010), Wispelwey (2012), Enders (2012/2013), Watkin (2013), Demenga (2014), Dumas (2016), Kashkashian (2017, viola), Malov (2018, violoncello da spalla), Bertrand (2019), Teichmanis (2019), Kloeckner (2020), Rignol (2020), Skalka (2020), Philippe (2021), de Naverán (2021)
Blog post #652 — #rolfsmblog •

Bach: Suite No.1 for Cello Solo in G major, BWV 1007

Media review — Bach: Suite No.1 for Cello Solo in G major, BWV 1007. 24 artists / 26 complete recordings, from historic to modern to HIP: Casals (1939), Fournier (1961), Bylsma (1979), Rostropovich (1991), Bylsma (1992), ter Linden (1996), Paternoster (1998), Wispelwey (1998), Pandolfo (2000, viola da gamba), Isserlis (2005), Queyras (2007), Gaillard (2010), Wispelwey (2012), Enders (2013), Watkin (2013), Demenga (2014), Dumas (2016), Kashkashian (2017, viola), Malov (2018, violoncello da spalla), Bertrand (2019), Teichmanis (2019), Kloeckner (2020), Rignol (2020, viola da gamba), Philippe (2021), de Naverán (2021), Skalka (2020)
Blog post #651 — #rolfsmblog •

Anastasia Kobekina, Daniel Bard / Kammerorchester Basel — Zürich, 2022-08-17

Concert review, ★★★★½, Anastasia Kobekina, Daniel Bard, Kammerorchester Basel @ Kirche St.Peter, Zurich, 2022-08-17 (Charity Concert, Stradivari-Stiftung Habisreutinger / Hochuli Konzert AG) — Haydn: Symphony No.44 in E Minor, “Trauer-Sinfonie”; Haydn: Cello Concerto No.1 in C major; Elgar: Cello Concerto in E minor, op.85 (Adagio, arranged for strings and cello)
Blog post #621 — #rolfsmblog •

Andrej Bielow, Anastasia Kobekina & Jean-Sélim Abdelmoula — Boswil, 2022-03-26

Concert review, ★★★★½, Andrej Bielow, Anastasia Kobekina & Jean-Sélim Abdelmoula @ Alte Kirche Boswil, 2022-03-26 — Lysenko: Élégie for piano and cello “La Tristesse”, op.39; Beethoven: Cello Sonata No.3 in A major, op.69; Tchaikovsky: Piano Trio op.50, “A la mémoire d’un grand artiste”
Blog post #606 — #rolfsmblog •

Anastasia Kobekina: Bach Cello Suites — Zurich, St.Peter, 2021-04-25

Concert review, ★★★★½, Anastasia Kobekina @ Kirche St.Peter, Zurich, 2021-04-25 — J.S. Bach: Cello Suites No.1 – 6, BWV 1007 – 1012; Vladimir Kobekin (*1947): Narrenschiff (The Ship of Fools); Jean-Sélim Abdelmoula (*1991): In memoriam; L. Boccherini (1743 – 1805) / Giovanni Sollima (*1962): Fandango
Blog post #575 — #rolfsmblog •

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