All just my personal opinion
Concert review, Alexey Osipov, Christoph Croisé, Oxana Shevchenko @ Villa Morillon, Bern, 2024-10-13 — Schubert: Piano Trio No.2 in E♭ major, op.100, D.929; Brahms: Piano Trio No.1 in B major, op.8
#rolfsmblog
Media review — Bach: The 6 Suites for Cello Solo, BWV 1007 – 1012 — Comparison Summary, Artist and Media Information. 24 artists / 26 complete recordings, from historic to HIP: Casals (1936?1939), Fournier (1961), Bylsma (1979), Rostropovich (1991), Bylsma (1992), ter Linden (1996), Paternoster (1998), Wispelwey (1998), Pandolfo (2000, viola da gamba), Isserlis (2005), Queyras (2007), Gaillard (2010), Wispelwey (2012), Enders (2012/2013), Watkin (2013), Demenga (2014), Dumas (2016), Kashkashian (2017, viola), Malov (2018, violoncello da spalla), Bertrand (2019), Teichmanis (2019), Kloeckner (2020), Rignol (2020), Skalka (2020), Philippe (2021), de Naverán (2021)
Concert review: Piano Recital, Beatrice Rana @ Lukaskirche, Lucerne, 2017-11-24 — Schumann: Blumenstück in D♭ major, op.19; Symphonic Etudes, op.13; Liszt: Sonata in B minor, S.178
Concert review, Christoph Croisé, Sherniyaz Mussakhan / Young Eurasian Soloists (YES) Chamber Orchestra @ Kirche Oberstrass, Zurich, 2017-11-22 — Mozart: Violin Concerto in D major, K.218; Haydn: Cello Concerto No.1 in C major, Cello Concerto No.2 in D major; Vivaldi: Double Concerto in B major, RV 547
A reflection about my perceived role as layman concert critic, my experiences and contacts with artists, mutual interactions.
Concert review, duo recital Christoph Croisé & Oxana Shevchenko, ETH Zurich, Semper-Aula, 2017-03-28 — Brahms: Cello Sonata No.1 in E minor, op.38; Stravinsky: Suite Italienne; Schubert: Arpeggione Sonata in A minor, D.821; Prokofiev: The Love for the Three Oranges; Shchedrin: In the Style of Albéniz