All just my personal opinion
Beethoven: Sonata for Piano and Violin No.9 in A major, op.47, “Kreutzer Sonata” — comparing 12 recordings: Busch/Serkin (1941), Capuçon/Braley (2009), Faust/Melnikov (2008), Grumiaux/Haskil (1957), Kremer/Argerich (1995), Menuhin/Kempff (1970), Mullova/Bezuidenhout (2009), Oistrakh/Oborin (1962), Perlman/Ashkenazy (1975), Perlman/Argerich (1998), Szeryng/Rubinstein (1958), Tur Bonet/Vişovan (2020)
Beethoven: Sonata for Piano and Violin No.10 in G major, op.96, “The Cockcrow” — comparing 8 recordings: Capuçon/Braley (2009), Faust/Melnikov (2008), Grumiaux/Haskil (1957), Kremer/Argerich (1995), Menuhin/Kempff (1970), Oistrakh/Oborin (1962), Perlman/Ashkenazy (1975), Tur Bonet/Vişovan (2020)
Concert review, Renaud Capuçon, Jonathan Nott / Orchestre de la Suisse Romande @ Lucerne Festival, KKL, 2018-08-19 — Debussy: “Jeux”, Poème dansé, L.126; Sibelius: Violin Concerto in D minor, op.47; Strauss: Suite from the Ballet “Schlagobers”, op.70
Concert review: Vilde Frang, Trevor Pinnock / Kammerorchester Basel @ Tonhalle Maag, Zurich, 2017-10-30 — Max Reger (1873 – 1916): Aria “O Mensch, bewein dein Sünde gross” for string orchestra, after J.S. Bach’s choral prelude, BWV 622; Ludwig van Beethoven (1770 – 1827): Violin Concerto in D major, op.61; Matthias Arter (*1964): Aquarell about J.S. Bach’s “Ricercar a 6”; Felix Mendelssohn Bartholdy (1809 – 1847): Symphony No.5 in D major/D minor, op.107, “Reformation”
Concert review: Renaud Capuçon, Zurich Chamber Orchestra (ZKO), Schauspielhaus Pfauen, Zurich, 2017-03-26 — Mozart: Divertimento in D major, K.136 (K.125a); Schumann: Violin Concerto in A minor, after the Cello Concerto, op.129; Tchaikovsky: Serenade for strings in C major, op.48
Beethoven: Violin Sonatas — Summary for comparisons of recordings, involving the artists Busch/Serkin, Capuçon/Braley, Faust/Melnikov, Grumiaux/Haskil, Kremer/Argerich, Menuhin/Kempff, Mullova/Bezuidenhout, Oistrakh/Oborin, Perlman/Argerich, Perlman/Ashkenazy, Szeryng/Rubinstein