All just my personal opinion
Concert review, ★★★★½, Sebastian Bohren — Solo Recital @ Schloss Uster, 2019-10-13 — Bach: Partita No.2 in D minor, BWV 1004; Lucas F. Jordan: Passagalia (2006); Ravel: Kaddisch from Deux mélodies hébraïques, M.A22 (arr. Menuhin); Ysaÿe: Sonata in D minor “à Georges Enescu“, op.27/3, “Ballade“; Rachel Fortin: Abyss of Anxiety (2007); Bach: III. Andante from Sonata No.2 in A minor, BWV 1003
Blog post #513 — #rolfsmblog •
Blog post #487 — Concert review, ★★★★, Sebastian Bohren @ Reformed Church, Windisch AG, 2019-04-21 — Bach : Sonata No.1 for Violin solo in G minor, BWV 1001; Bach: Sonata No.2 for Violin solo in A minor, BWV 1003;
Ysaÿe: Sonata for Solo Violin in D minor, op.27/3, “Ballade”; Paganini: Capricci No.13 in B♭ major, “Le Rire du Diable” & No.24 in A minor (Theme and Variations)
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Concert review: Francisco Fullana, Giulia Ott, Eldar Separayev / Lyra Festival Orchestra @ Auditorium maximum, ETH Zurich, 2017-05-09 — Mozart: Divertimento in D, K.136; Bach: Violin concerto in E, BWV 1042; Debussy: Deux danses pour harpe et cordes, CD 113 / L.103; Britten: Simple Symphony, op.4
Concert review: 6th Swiss Charity Concert at Tonhalle Zurich, 2016-09-08: Victor Emanuel Dijon von Monteton, Mira Marie Foron, Praga Camerata — Gioacchino Rossini: Overture to “Il Barbiere di Siviglia; Felix Mendelssohn Bartholdy: Violin Concerto in E minor, op.64; Antonín Dvořák: Symphony No.9 in E minor, op.95, “From the New World”
Concert review, Tonhalle Zurich, 2016-08-31: Sophie Pacini, Marc Bouchkov, Lionel Bringuier, Tonhalle Orchestra — Beethoven: Piano Concerto No.4 in G major, op.58; Sibelius: Violin Concerto in D minor, op.47; R. Strauss: Till Eulenspiegels lustige Streiche, op.28
… Right from the beginning of the first movement (Allegro vivace) one could sense and enjoy Norrington’s very detailed dynamics, the clear contrasts, very careful phrasing and articulation, down to individual ornaments — and the joyful playing in general. (…) It was a fascinating concert experience, and a strong, very convincing, compelling interpretation, both on the part of the conductor as well as the orchestra!