Piano Recital Yulianna Avdeeva — Wetzikon ZH, 2019-02-02

Blog post #469 — Concert review, ★★★★★, Piano Recital Yulianna Avdeeva @ Wetzikon ZH, 2019-02-02 (Klavierissimo Festival 2019 / Top Klassik Zürcher Oberland) — Debussy: Estampes, L.100; Chopin: Ballade No.3 in A♭ major, op.47; Chopin: 3 Mazurki, op.59; Chopin: Prélude No.25 in C♯ minor, op.45; Chopin: Scherzo No.3 in C♯ minor, op.39; Mussorgsky: Pictures at an Exhibition
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Julia Fischer & Yulianna Avdeeva — Tonhalle Maag, Zurich, 2018-03-04

Concert review, Julia Fischer & Yulianna Avdeeva @ Tonhalle Maag, Zurich, 2018-03-04 — Brahms: Violin Sonata No.2 in A major, op.100, “Thun Sonata”; Szymanowski: “Myths” for Violin and Piano, op.30; Shostakovich: Violin Sonata in G major, op.134


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Yulianna Avdeeva — Wetzikon, 2018-02-02

Concert review, Piano Recital Yulianna Avdeeva @ KZO Wetzikon, 2018-02-02 — Bach: Toccata in D major, BWV 912; Bach: Partita in B minor, BWV 831 (“French Overture”); Chopin: Mazurki in B♭ major op.7/1, A minor op.7/2, F minor op.7/3, A♭ major op.7/4; Chopin: Piano Sonata No.3 in B minor, op.58


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Yulianna Avdeeva — Aarau, 2017-03-05

Yulianna Avdeeva, Piano Recital, Kultur- & Kongresshaus Aarau, 2017-03-05 — Bach: Toccata in D major, BWV 912; Bach: Overture in the French Style, BWV 831; Chopin: Four Mazurkas, op.7; Chopin: Piano Sonata No.3 in B minor, op.58


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Yulianna Avdeeva — Warsaw (online), 2014-05-30

On 2014-05-30, the final concert from the season 2013/2014 in the Warsaw Philharmonic Hall was broadcast online. The concert featured Yulianna Avdeeva, the National Philharmonic Orchestra and Choir under the direction of Jacek Kasprzyk, and the tenor Thomas Warmijak. The program for the concert included…


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Yulianna Avdeeva — Baden/CH, 2014-03-08

(…) Yulianna’s playing was excellent! She is very virtuosic and very expressive! Where the tempo permits, she is nearly as clear in the articulation as Steven Hough — but she is way more expressive; unlike Volodos, she follows the score; she is not overpowering the music like Volodos, but has more agility than her Russian colleague (and avoids his unnecessary additions, I should say), she is often almost as fast and eruptive as Cziffra in the virtuosic octave passages, but in general keeps her articulation under control…


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