Oxana Shevchenko — Piano Recital, 2016-01-16

Oxana Shevchenko in a private piano recital, 2016-01-16 — Chopin: “Polonaise-Fantaisie” in A♭ major, op.61; Ravel: La valse; Medtner, “Sonata-Idyl” in G major, op.56; Rachmaninoff, Paraphrases after Mendelssohn and Tchaikovsky; Stravinsky: Trois mouvements de Pétrouchka


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Chopin: Piano Concerto E minor, op.11

Chopin: Piano Concerto in E minor, op.11 — comparing recordings with the following artists: Argerich/Abbado (1967), Askenase/Otterloo (1960), Avdeeva/Wit (2010), Avdeeva/Brüggen (2012), Rubinstein/Barbirolli (1937), Rubinstein/Wallenstein (1953), Rubinstein/Skrowaczewski (1961)


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Chopin: Piano Concerto F minor, op.21

Chopin: Piano Concerto F minor, op.21 — comparing recordings with the following artists: Askenase/Ludwig (1963), Avdeeva/Brüggen (2012), Haskil/Markevich (1960), Rubinstein/Barbirolli (1931), Rubinstein/Steinberg (1946), Rubinstein/Wallenstein (1958), Rubinstein/Ormandy (1968)


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Yulianna Avdeeva — Baden/CH, 2014-03-08

(…) Yulianna’s playing was excellent! She is very virtuosic and very expressive! Where the tempo permits, she is nearly as clear in the articulation as Steven Hough — but she is way more expressive; unlike Volodos, she follows the score; she is not overpowering the music like Volodos, but has more agility than her Russian colleague (and avoids his unnecessary additions, I should say), she is often almost as fast and eruptive as Cziffra in the virtuosic octave passages, but in general keeps her articulation under control…


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Chopin: Etudes op.25, Sonata #2, Préludes (Diary 2012-11-22)

Chopin: 12 Etudes op.25 — Ashkenazy, Pollini, Sokolov, Avdeeva; Chopin: Sonata No.2 in B♭ minor, op.35 — Argerich, Askenase, Avdeeva, Pollini; Chopin: 24 Préludes, op.28 — Askenase, Pollini, Barenboim, Argerich, Sokolov, Avdeeva


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