Oxana Shevchenko — Piano Recital, 2016-01-16

Oxana Shevchenko in a private piano recital, 2016-01-16 — Chopin: “Polonaise-Fantaisie” in A♭ major, op.61; Ravel: La valse; Medtner, “Sonata-Idyl” in G major, op.56; Rachmaninoff, Paraphrases after Mendelssohn and Tchaikovsky; Stravinsky: Trois mouvements de Pétrouchka

Chopin: Piano Concerto No.1 in E minor, op.11

Chopin: Piano Concerto in E minor, op.11 — comparing recordings with the following artists: Argerich/Abbado (1967), Askenase/Otterloo (1960), Avdeeva/Wit (2010), Avdeeva/Brüggen (2012), Rubinstein/Barbirolli (1937), Rubinstein/Wallenstein (1953), Rubinstein/Skrowaczewski (1961)

Chopin: Piano Concerto No.2 in F minor, op.21

Chopin: Piano Concerto F minor, op.21 — comparing recordings with the following artists: Askenase/Ludwig (1963), Avdeeva/Brüggen (2012), Haskil/Markevich (1960), Rubinstein/Barbirolli (1931), Rubinstein/Steinberg (1946), Rubinstein/Wallenstein (1958), Rubinstein/Ormandy (1968)

Yulianna Avdeeva — Piano Recital, Baden/CH, 2014-03-08

(…) Yulianna’s playing was excellent! She is very virtuosic and very expressive! Where the tempo permits, she is nearly as clear in the articulation as Steven Hough — but she is way more expressive; unlike Volodos, she follows the score; she is not overpowering the music like Volodos, but has more agility than her Russian colleague (and avoids his unnecessary additions, I should say), she is often almost as fast and eruptive as Cziffra in the virtuosic octave passages, but in general keeps her articulation under control…